Śakuntalā: A Sanskrit Drama, in Seven Acts. The Deva-Nāgari Recension of the Text, Ed. with Literal English Translations of All the Metrical Passages, Schemes of the Metres and Notes, Critical and ExplanatoryClarendon Press, 1876 - 339 pages |
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Page vi
... observes : The name of Kālidāsa has been frequently and early celebrated among the western nations . This great poet flourished at the splendid court of Vikramāditya , and was , therefore , contemporary with Virgil and Horace . The ...
... observes : The name of Kālidāsa has been frequently and early celebrated among the western nations . This great poet flourished at the splendid court of Vikramāditya , and was , therefore , contemporary with Virgil and Horace . The ...
Page vi
... observes : The name of Kālidāsa has been frequently and early celebrated among the western nations . This great poet flourished at the splendid court of Vikramaditya , and was , therefore , contemporary with Virgil and Horace . The ...
... observes : The name of Kālidāsa has been frequently and early celebrated among the western nations . This great poet flourished at the splendid court of Vikramaditya , and was , therefore , contemporary with Virgil and Horace . The ...
Page 53
... observes that her face was spotted with drops of perspiration resembling net - work . So svedam ānana - vilagna - jālakam , Raghu - v . ix . 68. Karna- sirisha - rodhi , see p . 7 , n . I. The drops of perspiration would prevent the ...
... observes that her face was spotted with drops of perspiration resembling net - work . So svedam ānana - vilagna - jālakam , Raghu - v . ix . 68. Karna- sirisha - rodhi , see p . 7 , n . I. The drops of perspiration would prevent the ...
Page 63
... observes that the Vidūshaka here acts the vishkambha , which he defines as an adhama - praveśakaḥ , or inferior introductory scene , coming between two acts ( ankayor madhya - varti ) , and performed by inferior actors ( nīća - pātra ...
... observes that the Vidūshaka here acts the vishkambha , which he defines as an adhama - praveśakaḥ , or inferior introductory scene , coming between two acts ( ankayor madhya - varti ) , and performed by inferior actors ( nīća - pātra ...
Page 66
... observes in the next line that he does not understand its application in the present case . 1 " Bhinnārtham = sphutārtham , ' clearly , ' ' distinctly , ' & . ± • When the reed imitates the character [ gait ] of the Kubja ( plant ) , is ...
... observes in the next line that he does not understand its application in the present case . 1 " Bhinnārtham = sphutārtham , ' clearly , ' ' distinctly , ' & . ± • When the reed imitates the character [ gait ] of the Kubja ( plant ) , is ...
Other editions - View all
SAKUNTALA A SANSKRIT DRAMA IN Kalidasa,Monier Sir Monier-Williams, 1819-1899 No preview available - 2016 |
SAKUNTALA A SANSKRIT DRAMA IN Kalidasa,Monier Sir Monier-Williams, 1819-1899 No preview available - 2016 |
Popular passages
Page 275 - They are a dwarfish kind of monster, with the body of a man and the head of a horse, and are otherwise called Kinnara.
Page 7 - Vols. XXVII and XXVIII. The Sacred Books of China. The Texts of Confucianism.
Page iv - Wouldst thou the young year's blossoms and the fruits of its decline, And all by which the soul is charmed, enraptured, feasted, fed, Wouldst thou the earth and heaven itself in one sole name combine ? I name thee, O Sakuntala,- and all at once is) said.
Page 282 - All they that see me, laugh me to scorn: they shoot out the lip, they shake the head, saying, 8 He trusted on the Lord that he Would deliver him : let him deliver him, seeing he delighted in him.