King LearA king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
From inside the book
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Page ii
... Jansen Introduction and Shakespeare's Career in the Theater: Jonathan Bate Commentary: Penelope Freedman and Héloïse Sénéchal Scene-by-Scene Analysis: Esme Miskimmin In Performance: Karin Brown (RSC stagings), Jan Sewell (overview).
... Jansen Introduction and Shakespeare's Career in the Theater: Jonathan Bate Commentary: Penelope Freedman and Héloïse Sénéchal Scene-by-Scene Analysis: Esme Miskimmin In Performance: Karin Brown (RSC stagings), Jan Sewell (overview).
Page v
Deborah Warner, and Trevor Nunn Shakespeare's Career in the Theater Beginnings Playhouses The Ensemble at Work The King's Man Shakespeare's Works: A Chronology The History Behind the Tragedies: A Chronology Further Reading and Viewing ...
Deborah Warner, and Trevor Nunn Shakespeare's Career in the Theater Beginnings Playhouses The Ensemble at Work The King's Man Shakespeare's Works: A Chronology The History Behind the Tragedies: A Chronology Further Reading and Viewing ...
Page viii
For Lamb, the technical necessities of the theater—the backstage machinery that creates the storm, the actor's repertoire of gestures, looks, and vocal variations—are exterior and superficial distractions from the play's inward and ...
For Lamb, the technical necessities of the theater—the backstage machinery that creates the storm, the actor's repertoire of gestures, looks, and vocal variations—are exterior and superficial distractions from the play's inward and ...
Page ix
Johnson had some sympathy with this alteration, which held the stage for a century and a half, whereas for Lamb it was yet one more indication that the theater was not to be trusted with Shakespeare's sublime vision of universal despair ...
Johnson had some sympathy with this alteration, which held the stage for a century and a half, whereas for Lamb it was yet one more indication that the theater was not to be trusted with Shakespeare's sublime vision of universal despair ...
Page xiii
In the great theater of the world, with the gods as audience, we are the fools on stage. Under the aspect of Folly, we see that aking is no different from any other man. The trappings of monarchy are but a costume; this is both Folly's ...
In the great theater of the world, with the gods as audience, we are the fools on stage. Under the aspect of Folly, we see that aking is no different from any other man. The trappings of monarchy are but a costume; this is both Folly's ...
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LibraryThing Review
User Review - DinadansFriend - LibraryThingNot my favourite play, but I did read it for completeness. A king, worn down by the trammells of office, divides his domain among his children and suffers from the flaws in his parenting. He is ... Read full review
LibraryThing Review
User Review - thornton37814 - LibraryThingThis full-cast audio recording tells the story of King Lear who unwisely divided his inheritance based on his perception of how much each daughter loved him. We see how this leads to a life of ... Read full review
Contents
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
Other editions - View all
Common terms and phrases
actor Albany answer appears arms asks audience bear beginning blind bring cause century character comes Cordelia Cornwall corrected daughters death directed draw Duke Edgar Edmund Enter Exit eyes father feel Folio Following Fool fortune France GENTLEMAN give Gloucester Gloucester's gods Goneril grace half hand hath head hear heart human keep KENT kind King Lear kingdom lead Lear's leave letter Lines live look lord master means mind nature never night Noble Oswald performance perhaps play poor production Quarto question reason Regan role running scene seems sense servant Shakespeare sister speak speech stage stand storm suggests tell theater thee things thou thought Tragedy true turn