King LearA king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
From inside the book
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Page ix
The two older sisters, well versed in the "glib and oily art” of courtly flattery, tell him what he wants to hear, but Cordelia cannot. She is one of the play's truth tellers and simply lacks the capacity or the experience to dress her ...
The two older sisters, well versed in the "glib and oily art” of courtly flattery, tell him what he wants to hear, but Cordelia cannot. She is one of the play's truth tellers and simply lacks the capacity or the experience to dress her ...
Page xiii
Erasmus' Folly tells us that there are two kinds of madness—one is the thirst for gold, lust, and power. That is the madness of Regan, Cornwall, Edmund, and the rest. Their madness is what Lear rejects. The second madness is the ...
Erasmus' Folly tells us that there are two kinds of madness—one is the thirst for gold, lust, and power. That is the madness of Regan, Cornwall, Edmund, and the rest. Their madness is what Lear rejects. The second madness is the ...
Page xiv
At the beginning, she can only tell the truth (hence her banishment), but later she lies beautifully and generously when Lear says that she has cause to do him wrong, and she replies, “No cause, no cause.
At the beginning, she can only tell the truth (hence her banishment), but later she lies beautifully and generously when Lear says that she has cause to do him wrong, and she replies, “No cause, no cause.
Page xvi
Come the last trump, the play tells us, we will be judged by our fellow feeling for the dispossessed, not our status in society. In this, as in so much else, Shakespeare speaks ... LEAR Who is it that can tell me who I xvi. INTRODUCTION.
Come the last trump, the play tells us, we will be judged by our fellow feeling for the dispossessed, not our status in society. In this, as in so much else, Shakespeare speaks ... LEAR Who is it that can tell me who I xvi. INTRODUCTION.
Page xvii
LEAR Who is it that can tell me who I am? FOOL Lear's shadow. 1. Robert Armin took over as company clown after Will Kempe left the Chamberlain's Men in 1599. A playwright as well as the author of joke books, he practiced a more ...
LEAR Who is it that can tell me who I am? FOOL Lear's shadow. 1. Robert Armin took over as company clown after Will Kempe left the Chamberlain's Men in 1599. A playwright as well as the author of joke books, he practiced a more ...
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LibraryThing Review
User Review - DinadansFriend - LibraryThingNot my favourite play, but I did read it for completeness. A king, worn down by the trammells of office, divides his domain among his children and suffers from the flaws in his parenting. He is ... Read full review
LibraryThing Review
User Review - thornton37814 - LibraryThingThis full-cast audio recording tells the story of King Lear who unwisely divided his inheritance based on his perception of how much each daughter loved him. We see how this leads to a life of ... Read full review
Contents
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
Other editions - View all
Common terms and phrases
actor Albany answer appears arms asks audience bear beginning blind bring cause century character comes Cordelia Cornwall corrected daughters death directed draw Duke Edgar Edmund Enter Exit eyes father feel Folio Following Fool fortune France GENTLEMAN give Gloucester Gloucester's gods Goneril grace half hand hath head hear heart human keep KENT kind King Lear kingdom lead Lear's leave letter Lines live look lord master means mind nature never night Noble Oswald performance perhaps play poor production Quarto question reason Regan role running scene seems sense servant Shakespeare sister speak speech stage stand storm suggests tell theater thee things thou thought Tragedy true turn