King LearA king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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Page xii
... the text—suggest that the lesson has been learned that Stoic comfort will not do, that it is better to speak what we feel than what we ought to say. The Folio's ascription of this speech to Edgar makes more dramatic sense than the ...
... the text—suggest that the lesson has been learned that Stoic comfort will not do, that it is better to speak what we feel than what we ought to say. The Folio's ascription of this speech to Edgar makes more dramatic sense than the ...
Page xix
... suggesting that Kent and Edgar should share power between them. Kent, wise as ever, sees the foolishness of this and gracefully withdraws, presumably to commit suicide or will on the heart attack that he is already sensing.
... suggesting that Kent and Edgar should share power between them. Kent, wise as ever, sees the foolishness of this and gracefully withdraws, presumably to commit suicide or will on the heart attack that he is already sensing.
Page xxi
Logic suggests that Quarto was his first version of the play. Folio his second. The textual variants give us a unique opportunity to see the plays as working scripts. In the received editorial tradition, there is a very puzzling moment ...
Logic suggests that Quarto was his first version of the play. Folio his second. The textual variants give us a unique opportunity to see the plays as working scripts. In the received editorial tradition, there is a very puzzling moment ...
Page xxv
There is inevitably a degree of editorial judgment in making such calls, but the system is very valuable in suggesting the pace of the plays. Speakers' Names are often inconsistent in Folio. We have regularized speech headings, ...
There is inevitably a degree of editorial judgment in making such calls, but the system is very valuable in suggesting the pace of the plays. Speakers' Names are often inconsistent in Folio. We have regularized speech headings, ...
Page xxvi
We have also kept in mind the origin of punctuation in classical times as a way of assisting the actor and orator: the comma suggests the briefest of pauses for breath, the colon a middling one, and a full stop or period alonger pause.
We have also kept in mind the origin of punctuation in classical times as a way of assisting the actor and orator: the comma suggests the briefest of pauses for breath, the colon a middling one, and a full stop or period alonger pause.
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LibraryThing Review
User Review - thornton37814 - LibraryThingThis full-cast audio recording tells the story of King Lear who unwisely divided his inheritance based on his perception of how much each daughter loved him. We see how this leads to a life of ... Read full review
LibraryThing Review
User Review - Kristelh - LibraryThingI read (listened) to this after reading A Thousand Acres by Jane Smiley. I enjoyed both very much. Read full review
Contents
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
Other editions - View all
Common terms and phrases
actor Albany answer appears arms asks audience bear beginning blind bring cause century character comes Cordelia Cornwall corrected daughters death directed draw Duke Edgar Edmund Enter Exit eyes father feel Folio Following Fool fortune France GENTLEMAN give Gloucester Gloucester's gods Goneril grace half hand hath head hear heart human keep KENT kind King Lear kingdom lead Lear's leave letter Lines live look lord master means mind nature never night Noble Oswald performance perhaps play poor production Quarto question reason Regan role running scene seems sense servant Shakespeare sister speak speech stage stand storm suggests tell theater thee things thou thought Tragedy true turn