King LearRandom House Publishing Group, 2009 M08 4 - 272 pages A king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
From inside the book
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Page xii
... speech to Edgar makes more dramatic sense than the Quarto's to Albany , since Edgar's stripping down in Act 3 is an exposure to feel- ing , occurring in conjunction with Lear's feeling with and for the poor , which makes him the ...
... speech to Edgar makes more dramatic sense than the Quarto's to Albany , since Edgar's stripping down in Act 3 is an exposure to feel- ing , occurring in conjunction with Lear's feeling with and for the poor , which makes him the ...
Page xv
... speech act , an utterance that effects an action by the very act of being spoken . Typically blessing is accompanied by a small but forceful gesture , a kind of action that is of vital importance on the bare boards of the Shakespearean ...
... speech act , an utterance that effects an action by the very act of being spoken . Typically blessing is accompanied by a small but forceful gesture , a kind of action that is of vital importance on the bare boards of the Shakespearean ...
Page xvi
... speech . So is the whole play , like the " Dover cliff " scene , an elaborate game designed by Shakespeare to teach us a lesson ? Only if we think of it as a lesson in feeling , not in high - minded judgment . To be truly responsive to ...
... speech . So is the whole play , like the " Dover cliff " scene , an elaborate game designed by Shakespeare to teach us a lesson ? Only if we think of it as a lesson in feeling , not in high - minded judgment . To be truly responsive to ...
Page xviii
... speech . That is the mark of his assumption of power . Thus Fortinbras rules Denmark at the end of Hamlet , Lodovico speaks for Venice at the end of Othello , Malcolm rules Scotland at the end of Macbeth , and Octavius rules the world ...
... speech . That is the mark of his assumption of power . Thus Fortinbras rules Denmark at the end of Hamlet , Lodovico speaks for Venice at the end of Othello , Malcolm rules Scotland at the end of Macbeth , and Octavius rules the world ...
Page xix
... speech : The weight of this sad time we must obey : Speak what we feel , not what we ought to say . The oldest hath borne most : we that are young Shall never see so much nor live so long . If we were being very scrupulous , we would ...
... speech : The weight of this sad time we must obey : Speak what we feel , not what we ought to say . The oldest hath borne most : we that are young Shall never see so much nor live so long . If we were being very scrupulous , we would ...
Contents
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
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Common terms and phrases
Act 4 Scene actor Adrian Noble Alack Albany Albany's Antony Antony Sher audience bastard beggar blind Brian Cox Burgundy Cordelia Corin Redgrave CORNWALL daughters death disguised dost Dover Duke Duke of Cornwall Edgar editors Edmund Enter Lear Exeunt Exit eyes father feel Following fortune France GENTLEMAN give gods Goneril Goneril and Regan grace hath heart human Ian McKellen Jonathan Bate KENT KENT LEAR King Lear kingdom knave LEAR FOOL LEAR KENT Lear's letter Lines look lord madam messenger Michael Gambon nature night nuncle performance Peter Brook pity played Lear poor Pray production Q corrected Q uncorrected Quarto text Regan role Royal Shakespeare Company running scene sense servant Shake Shakespeare sister speak speech stage storm tell theater thee there's thine things Tragedy traitor Trevor Nunn trumpet villain