King LearA king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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Page viii
... we are sustained by a grandeur which baffles the malice of daughters and storms; in the aberrations of his reason, we discover a mighty irregular power of reasoning, immethodized from the ordinary purposes of life, but exerting its ...
... we are sustained by a grandeur which baffles the malice of daughters and storms; in the aberrations of his reason, we discover a mighty irregular power of reasoning, immethodized from the ordinary purposes of life, but exerting its ...
Page xii
THIS GREAT STAGE OF FOOLS The Stoic philosopher tries to be ruled by reason rather than passion. But for the great sixteenth-century humanist Desiderius Erasmus in his Praise of Folly, there is inhumanity in the notion that to be wise ...
THIS GREAT STAGE OF FOOLS The Stoic philosopher tries to be ruled by reason rather than passion. But for the great sixteenth-century humanist Desiderius Erasmus in his Praise of Folly, there is inhumanity in the notion that to be wise ...
Page xv
... rhyme or reason, no pattern of divine justice. Here again, Shakespeare departs strikingly from his source, the old anonymous play of King Leir, in which Christian providence prevails. Shakespeare reimagines his material in a bleak ...
... rhyme or reason, no pattern of divine justice. Here again, Shakespeare departs strikingly from his source, the old anonymous play of King Leir, in which Christian providence prevails. Shakespeare reimagines his material in a bleak ...
Page xxi
KENT Why the King of France is so suddenly gone back, know you no reason? GENTLEMAN Somethinghelest imperfect in the state, which since his coming forth is thought of which imports to the kingdom so much fear and danger that his ...
KENT Why the King of France is so suddenly gone back, know you no reason? GENTLEMAN Somethinghelest imperfect in the state, which since his coming forth is thought of which imports to the kingdom so much fear and danger that his ...
Page xxii
(Quarto Passages, 168–73) It is, to say the least, a halting explanation, which is perhaps one reason why Shakespeare cut the whole of this scene, Act 4 Scene 3 in the received editorial tradition, from the Folio text.
(Quarto Passages, 168–73) It is, to say the least, a halting explanation, which is perhaps one reason why Shakespeare cut the whole of this scene, Act 4 Scene 3 in the received editorial tradition, from the Folio text.
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LibraryThing Review
User Review - DinadansFriend - LibraryThingNot my favourite play, but I did read it for completeness. A king, worn down by the trammells of office, divides his domain among his children and suffers from the flaws in his parenting. He is ... Read full review
LibraryThing Review
User Review - thornton37814 - LibraryThingThis full-cast audio recording tells the story of King Lear who unwisely divided his inheritance based on his perception of how much each daughter loved him. We see how this leads to a life of ... Read full review
Contents
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
Other editions - View all
Common terms and phrases
actor Albany answer appears arms asks audience bear beginning blind bring cause century character comes Cordelia Cornwall corrected daughters death directed draw Duke Edgar Edmund Enter Exit eyes father feel Folio Following Fool fortune France GENTLEMAN give Gloucester Gloucester's gods Goneril grace half hand hath head hear heart human keep KENT kind King Lear kingdom lead Lear's leave letter Lines live look lord master means mind nature never night Noble Oswald performance perhaps play poor production Quarto question reason Regan role running scene seems sense servant Shakespeare sister speak speech stage stand storm suggests tell theater thee things thou thought Tragedy true turn