King LearRandom House Publishing Group, 2009 M08 4 - 272 pages A king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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Page xxiii
... production , critics rebuked him for imposing on the play his own theater of cruelty . But now we know that Brook's cut was made in Shakespeare's own theater . A further intensification of the play's moral bleakness is brought about by ...
... production , critics rebuked him for imposing on the play his own theater of cruelty . But now we know that Brook's cut was made in Shakespeare's own theater . A further intensification of the play's moral bleakness is brought about by ...
Page xxx
... produce a collected Shakespeare ) . The Folio in turn has about 100 lines that are not in the Quarto , and nearly 1,000 lines have variations of word or phrase . The two early texts thus represent two different stages in the life of the ...
... produce a collected Shakespeare ) . The Folio in turn has about 100 lines that are not in the Quarto , and nearly 1,000 lines have variations of word or phrase . The two early texts thus represent two different stages in the life of the ...
Page 38
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Contents
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
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Common terms and phrases
Act 4 Scene actor Adrian Noble Alack Albany Albany's Antony Antony Sher audience bastard beggar blind Brian Cox Burgundy Cordelia Corin Redgrave CORNWALL daughters death disguised dost Dover Duke Duke of Cornwall Edgar editors Edmund Enter Lear Exeunt Exit eyes father feel Following fortune France GENTLEMAN give gods Goneril Goneril and Regan grace hath heart human Ian McKellen Jonathan Bate KENT KENT LEAR King Lear kingdom knave LEAR FOOL LEAR KENT Lear's letter Lines look lord madam messenger Michael Gambon nature night nuncle performance Peter Brook pity played Lear poor Pray production Q corrected Q uncorrected Quarto text Regan role Royal Shakespeare Company running scene sense servant Shake Shakespeare sister speak speech stage storm tell theater thee there's thine things Tragedy traitor Trevor Nunn trumpet villain