King LearA king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
From inside the book
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Page vii
For Keats' contemporary Charles Lamb, Shakespeare's anatomy of the human condition was so profound and tempestuous that the play seemed too vast for the stage. It is the centerpiece of his essay "On the tragedies of Shakspeare, ...
For Keats' contemporary Charles Lamb, Shakespeare's anatomy of the human condition was so profound and tempestuous that the play seemed too vast for the stage. It is the centerpiece of his essay "On the tragedies of Shakspeare, ...
Page viii
... may doubtless be good, because it is a just representation of the common events of human life; but since all reasonable beings naturally love justice, I cannot easily be persuaded, that the observation of justice makes a play worse; ...
... may doubtless be good, because it is a just representation of the common events of human life; but since all reasonable beings naturally love justice, I cannot easily be persuaded, that the observation of justice makes a play worse; ...
Page x
Only when he has been stripped of the fine clothes and fine words of the court, has heard truth in the mouths of a fool and a (supposed) Bedlam beggar, does he find out what it really means to be human. Where Macbeth and Othello are ...
Only when he has been stripped of the fine clothes and fine words of the court, has heard truth in the mouths of a fool and a (supposed) Bedlam beggar, does he find out what it really means to be human. Where Macbeth and Othello are ...
Page xii
Erasmus' personification of Folly points out that friendship is among the highest human values, and it depends on emotion. The people who show friendship to Lear (Fool, Kent disguised as Caius, Edgar disguised as Poor Tom and then as ...
Erasmus' personification of Folly points out that friendship is among the highest human values, and it depends on emotion. The people who show friendship to Lear (Fool, Kent disguised as Caius, Edgar disguised as Poor Tom and then as ...
Page xvi
To be human is to see feelingly, not to fall back on easy moralizing, the "ought to say" that characterizes people like Albany. And seeing feelingly is to do with our sympathetic response to the images that confront us, ...
To be human is to see feelingly, not to fall back on easy moralizing, the "ought to say" that characterizes people like Albany. And seeing feelingly is to do with our sympathetic response to the images that confront us, ...
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LibraryThing Review
User Review - DinadansFriend - LibraryThingNot my favourite play, but I did read it for completeness. A king, worn down by the trammells of office, divides his domain among his children and suffers from the flaws in his parenting. He is ... Read full review
LibraryThing Review
User Review - thornton37814 - LibraryThingThis full-cast audio recording tells the story of King Lear who unwisely divided his inheritance based on his perception of how much each daughter loved him. We see how this leads to a life of ... Read full review
Contents
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
Other editions - View all
Common terms and phrases
actor Albany answer appears arms asks audience bear beginning blind bring cause century character comes Cordelia Cornwall corrected daughters death directed draw Duke Edgar Edmund Enter Exit eyes father feel Folio Following Fool fortune France GENTLEMAN give Gloucester Gloucester's gods Goneril grace half hand hath head hear heart human keep KENT kind King Lear kingdom lead Lear's leave letter Lines live look lord master means mind nature never night Noble Oswald performance perhaps play poor production Quarto question reason Regan role running scene seems sense servant Shakespeare sister speak speech stage stand storm suggests tell theater thee things thou thought Tragedy true turn