King LearA king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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Page x
is that it will be Cordelia's coming out: she is supposed to give public expression to her great love and in return she will be rewarded with the richest portion of the kingdom and the most prized husband. He does not bargain on her ...
is that it will be Cordelia's coming out: she is supposed to give public expression to her great love and in return she will be rewarded with the richest portion of the kingdom and the most prized husband. He does not bargain on her ...
Page xii
Then Albany tries to give power back to Lear—and he promptly dies. Then he tries to persuade Kent and Edgar to divide the kingdom, and Kent promptly goes off to die. The final lines of the play—given to different speakers in the Quarto ...
Then Albany tries to give power back to Lear—and he promptly dies. Then he tries to persuade Kent and Edgar to divide the kingdom, and Kent promptly goes off to die. The final lines of the play—given to different speakers in the Quarto ...
Page xiv
He has begun to learn true manners not at court, but through the love he shows for Poor Tom, the image of unaccommodated man, the image of himself: "Did'st thou give all to thy daughters? And art thou come to this?
He has begun to learn true manners not at court, but through the love he shows for Poor Tom, the image of unaccommodated man, the image of himself: "Did'st thou give all to thy daughters? And art thou come to this?
Page xxi
The textual variants give us a unique opportunity to see the plays as working scripts. In the received editorial tradition, there is a very puzzling moment in Act 3 Scene 1 where Kentreports to the Gentleman on the division between ...
The textual variants give us a unique opportunity to see the plays as working scripts. In the received editorial tradition, there is a very puzzling moment in Act 3 Scene 1 where Kentreports to the Gentleman on the division between ...
Page xxv
Speakers' Names are often inconsistent in Folio. We have regularized speech headings, but retained an element of deliberate inconsistency in entry directions, in order to give the flavor of Folio. Verse is indicated by lines that ...
Speakers' Names are often inconsistent in Folio. We have regularized speech headings, but retained an element of deliberate inconsistency in entry directions, in order to give the flavor of Folio. Verse is indicated by lines that ...
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LibraryThing Review
User Review - DinadansFriend - LibraryThingNot my favourite play, but I did read it for completeness. A king, worn down by the trammells of office, divides his domain among his children and suffers from the flaws in his parenting. He is ... Read full review
LibraryThing Review
User Review - thornton37814 - LibraryThingThis full-cast audio recording tells the story of King Lear who unwisely divided his inheritance based on his perception of how much each daughter loved him. We see how this leads to a life of ... Read full review
Contents
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
Other editions - View all
Common terms and phrases
actor Albany answer appears arms asks audience bear beginning blind bring cause century character comes Cordelia Cornwall corrected daughters death directed draw Duke Edgar Edmund Enter Exit eyes father feel Folio Following Fool fortune France GENTLEMAN give Gloucester Gloucester's gods Goneril grace half hand hath head hear heart human keep KENT kind King Lear kingdom lead Lear's leave letter Lines live look lord master means mind nature never night Noble Oswald performance perhaps play poor production Quarto question reason Regan role running scene seems sense servant Shakespeare sister speak speech stage stand storm suggests tell theater thee things thou thought Tragedy true turn