King LearA king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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Page xxiv
Sometimes, however, they were erroneous or omitted; corrections and additions supplied by editorial tradition are indicated by square brackets. Five-act division is based on a classical model, and act breaks provided the opportunity to ...
Sometimes, however, they were erroneous or omitted; corrections and additions supplied by editorial tradition are indicated by square brackets. Five-act division is based on a classical model, and act breaks provided the opportunity to ...
Page xxv
We have silently corrected in such cases, although in some instances there is ambiguity, in which case we have leaned toward the preservation of Folio layout. Folio sometimes uses contraction (“turnd” rather than “turned”) to indicate ...
We have silently corrected in such cases, although in some instances there is ambiguity, in which case we have leaned toward the preservation of Folio layout. Folio sometimes uses contraction (“turnd” rather than “turned”) to indicate ...
Page xxvi
Where characters are omitted or corrections are necessary, this is indicated by square brackets (e.g. "|and Attendants]"). Exit is sometimes silently normalized to Exeunt and Manet anglicized to "remains." We trust Folio xxvi ABOUT THE ...
Where characters are omitted or corrections are necessary, this is indicated by square brackets (e.g. "|and Attendants]"). Exit is sometimes silently normalized to Exeunt and Manet anglicized to "remains." We trust Folio xxvi ABOUT THE ...
Page xxxi
We have edited the more theatrical Folio text but have corrected its errors (which are plentiful, since much of it was set in type by "Compositor E," the apprentice who was by far the worst printer in Isaac Jaggard's shop).
We have edited the more theatrical Folio text but have corrected its errors (which are plentiful, since much of it was set in type by "Compositor E," the apprentice who was by far the worst printer in Isaac Jaggard's shop).
Page 122
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LibraryThing Review
User Review - thornton37814 - LibraryThingThis full-cast audio recording tells the story of King Lear who unwisely divided his inheritance based on his perception of how much each daughter loved him. We see how this leads to a life of ... Read full review
LibraryThing Review
User Review - Kristelh - LibraryThingI read (listened) to this after reading A Thousand Acres by Jane Smiley. I enjoyed both very much. Read full review
Contents
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
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Common terms and phrases
actor Albany answer appears arms asks audience bear beginning blind bring cause century character comes Cordelia Cornwall corrected daughters death directed draw Duke Edgar Edmund Enter Exit eyes father feel Folio Following Fool fortune France GENTLEMAN give Gloucester Gloucester's gods Goneril grace half hand hath head hear heart human keep KENT kind King Lear kingdom lead Lear's leave letter Lines live look lord master means mind nature never night Noble Oswald performance perhaps play poor production Quarto question reason Regan role running scene seems sense servant Shakespeare sister speak speech stage stand storm suggests tell theater thee things thou thought Tragedy true turn