King LearA king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
From inside the book
Results 1-5 of 83
Page xi
But if you have nothing save custom, no divinely sanctioned hierarchy, then where does your value system come from? ... reflects on his own condition and cheers himself up with thoughts about the worst, but then his father comes on ...
But if you have nothing save custom, no divinely sanctioned hierarchy, then where does your value system come from? ... reflects on his own condition and cheers himself up with thoughts about the worst, but then his father comes on ...
Page xii
comes on blinded and he is instantly confounded—things are worse than before. If the case of Edgar reveals the deficiency of Stoic comfort, that of Albany demonstrates the inadequacy of belief indivine justice.
comes on blinded and he is instantly confounded—things are worse than before. If the case of Edgar reveals the deficiency of Stoic comfort, that of Albany demonstrates the inadequacy of belief indivine justice.
Page xiii
Lear echoes the sentiment: “When we are born, we cry that we are come / To this great stage of fools." In the great theater of the world, with the gods as audience, we are the fools on stage. Under the aspect of Folly, we see that aking ...
Lear echoes the sentiment: “When we are born, we cry that we are come / To this great stage of fools." In the great theater of the world, with the gods as audience, we are the fools on stage. Under the aspect of Folly, we see that aking ...
Page xiv
Even in the storm he continues to make demands: "Come, unbutton here. ... True wisdom comes not in Gloucester's and Edgar's words of Stoic comfort or Albany's hapless faith in divine providence, but in moments of folly and love, ...
Even in the storm he continues to make demands: "Come, unbutton here. ... True wisdom comes not in Gloucester's and Edgar's words of Stoic comfort or Albany's hapless faith in divine providence, but in moments of folly and love, ...
Page xvi
Come the last trump, the play tells us, we will be judged by our fellow feeling for the dispossessed, not our status in society. In this, as in so much else, Shakespeare speaks not only for his own age, but for ours.
Come the last trump, the play tells us, we will be judged by our fellow feeling for the dispossessed, not our status in society. In this, as in so much else, Shakespeare speaks not only for his own age, but for ours.
What people are saying - Write a review
User ratings
5 stars |
| ||
4 stars |
| ||
3 stars |
| ||
2 stars |
| ||
1 star |
|
Reviews aren't verified, but Google checks for and removes fake content when it's identified
LibraryThing Review
User Review - DinadansFriend - LibraryThingNot my favourite play, but I did read it for completeness. A king, worn down by the trammells of office, divides his domain among his children and suffers from the flaws in his parenting. He is ... Read full review
LibraryThing Review
User Review - thornton37814 - LibraryThingThis full-cast audio recording tells the story of King Lear who unwisely divided his inheritance based on his perception of how much each daughter loved him. We see how this leads to a life of ... Read full review
Contents
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
Other editions - View all
Common terms and phrases
actor Albany answer appears arms asks audience bear beginning blind bring cause century character comes Cordelia Cornwall corrected daughters death directed draw Duke Edgar Edmund Enter Exit eyes father feel Folio Following Fool fortune France GENTLEMAN give Gloucester Gloucester's gods Goneril grace half hand hath head hear heart human keep KENT kind King Lear kingdom lead Lear's leave letter Lines live look lord master means mind nature never night Noble Oswald performance perhaps play poor production Quarto question reason Regan role running scene seems sense servant Shakespeare sister speak speech stage stand storm suggests tell theater thee things thou thought Tragedy true turn