King LearA king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
From inside the book
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Page v
Deborah Warner, and Trevor Nunn Shakespeare's Career in the Theater Beginnings Playhouses The Ensemble at Work The King's Man Shakespeare's Works: A Chronology The History Behind the Tragedies: A Chronology Further Reading and Viewing ...
Deborah Warner, and Trevor Nunn Shakespeare's Career in the Theater Beginnings Playhouses The Ensemble at Work The King's Man Shakespeare's Works: A Chronology The History Behind the Tragedies: A Chronology Further Reading and Viewing ...
Page xi
But this idea of ripe timing doesn't work out: by mistiming the revelation of his own identity to Gloucester, Edgar precipitates his father's death. The play's pattern, then, is of Stoic comfort not working. At the beginning of the ...
But this idea of ripe timing doesn't work out: by mistiming the revelation of his own identity to Gloucester, Edgar precipitates his father's death. The play's pattern, then, is of Stoic comfort not working. At the beginning of the ...
Page xiii
Lear's Foolsays that he would sain “learn to lie." Lying is destructive in the mouths of Goneril, Regan, and Edmund at the beginning of the play, but Cordelia—who has a special bond with the INTRODUCTION xiii.
Lear's Foolsays that he would sain “learn to lie." Lying is destructive in the mouths of Goneril, Regan, and Edmund at the beginning of the play, but Cordelia—who has a special bond with the INTRODUCTION xiii.
Page xiv
At the beginning, she can only tell the truth (hence her banishment), but later she lies beautifully and generously when Lear says that she has cause to do him wrong, and she replies, “No cause, no cause.
At the beginning, she can only tell the truth (hence her banishment), but later she lies beautifully and generously when Lear says that she has cause to do him wrong, and she replies, “No cause, no cause.
Page xix
As the husband of the king's eldest daughter, Albany is the obvious candidate, but he seems reluctant to take on the role and, with astonishing stupidity given the chaos brought about by Lear's division of the kingdom at the beginning ...
As the husband of the king's eldest daughter, Albany is the obvious candidate, but he seems reluctant to take on the role and, with astonishing stupidity given the chaos brought about by Lear's division of the kingdom at the beginning ...
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LibraryThing Review
User Review - DinadansFriend - LibraryThingNot my favourite play, but I did read it for completeness. A king, worn down by the trammells of office, divides his domain among his children and suffers from the flaws in his parenting. He is ... Read full review
LibraryThing Review
User Review - thornton37814 - LibraryThingThis full-cast audio recording tells the story of King Lear who unwisely divided his inheritance based on his perception of how much each daughter loved him. We see how this leads to a life of ... Read full review
Contents
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
Other editions - View all
Common terms and phrases
actor Albany answer appears arms asks audience bear beginning blind bring cause century character comes Cordelia Cornwall corrected daughters death directed draw Duke Edgar Edmund Enter Exit eyes father feel Folio Following Fool fortune France GENTLEMAN give Gloucester Gloucester's gods Goneril grace half hand hath head hear heart human keep KENT kind King Lear kingdom lead Lear's leave letter Lines live look lord master means mind nature never night Noble Oswald performance perhaps play poor production Quarto question reason Regan role running scene seems sense servant Shakespeare sister speak speech stage stand storm suggests tell theater thee things thou thought Tragedy true turn