King LearA king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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Page ix
observation of justice makes a play worse; or, that if other excellencies are equal, the audience will not always rise better pleased from the final triumph of persecuted virtue." It had been in order to impose poetical justice on the ...
observation of justice makes a play worse; or, that if other excellencies are equal, the audience will not always rise better pleased from the final triumph of persecuted virtue." It had been in order to impose poetical justice on the ...
Page xiii
In the great theater of the world, with the gods as audience, we are the fools on stage. Under the aspect of Folly, we see that aking is no different from any other man. The trappings of monarchy are but a costume; this is both Folly's ...
In the great theater of the world, with the gods as audience, we are the fools on stage. Under the aspect of Folly, we see that aking is no different from any other man. The trappings of monarchy are but a costume; this is both Folly's ...
Page xv
He is thinking of Doomsday, but the line is also a sly allusion on Shakespeare's part: in all previous versions of the Lear story, several of which would have been familiar to members of his audience, Cordelia survives and Lear is ...
He is thinking of Doomsday, but the line is also a sly allusion on Shakespeare's part: in all previous versions of the Lear story, several of which would have been familiar to members of his audience, Cordelia survives and Lear is ...
Page xxii
Theater audiences tend to think most about the things that are mentioned: by drawing attention to the king's ... Better just to keep quiet about him, which is what happens in Folio–since he's not mentioned, the audience forgets him.
Theater audiences tend to think most about the things that are mentioned: by drawing attention to the king's ... Better just to keep quiet about him, which is what happens in Folio–since he's not mentioned, the audience forgets him.
Page 151
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LibraryThing Review
User Review - thornton37814 - LibraryThingThis full-cast audio recording tells the story of King Lear who unwisely divided his inheritance based on his perception of how much each daughter loved him. We see how this leads to a life of ... Read full review
LibraryThing Review
User Review - Kristelh - LibraryThingI read (listened) to this after reading A Thousand Acres by Jane Smiley. I enjoyed both very much. Read full review
Contents
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
Other editions - View all
Common terms and phrases
actor Albany answer appears arms asks audience bear beginning blind bring cause century character comes Cordelia Cornwall corrected daughters death directed draw Duke Edgar Edmund Enter Exit eyes father feel Folio Following Fool fortune France GENTLEMAN give Gloucester Gloucester's gods Goneril grace half hand hath head hear heart human keep KENT kind King Lear kingdom lead Lear's leave letter Lines live look lord master means mind nature never night Noble Oswald performance perhaps play poor production Quarto question reason Regan role running scene seems sense servant Shakespeare sister speak speech stage stand storm suggests tell theater thee things thou thought Tragedy true turn