King LearRandom House Publishing Group, 2009 M08 4 - 272 pages A king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
From inside the book
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Page vii
... acting of Lear ever produced in me . But the Lear of Shakspeare cannot be acted . The con- temptible machinery ... actor can be to represent Lear : they might more easily propose to personate the Satan of Milton upon a stage , or ...
... acting of Lear ever produced in me . But the Lear of Shakspeare cannot be acted . The con- temptible machinery ... actor can be to represent Lear : they might more easily propose to personate the Satan of Milton upon a stage , or ...
Page viii
... actor's repertoire of gestures , looks , and vocal variations are exterior and superficial distractions from the play's inward and remorseless exploration of reason and madness , humankind and nature , the corruptions and abuses of ...
... actor's repertoire of gestures , looks , and vocal variations are exterior and superficial distractions from the play's inward and remorseless exploration of reason and madness , humankind and nature , the corruptions and abuses of ...
Page xviii
... actors , the people who knew the plays better than anyone else . The other half had appeared in print in his lifetime , in the more compact and cheaper form of " Quarto " edi- tions , some of which reproduced good quality texts , others ...
... actors , the people who knew the plays better than anyone else . The other half had appeared in print in his lifetime , in the more compact and cheaper form of " Quarto " edi- tions , some of which reproduced good quality texts , others ...
Page xx
... actors , not on Shakespeare's own script ( his " foul papers " ) or the playhouse script ( the " promptbook ... actor remembering " The first verse of the godly ballad / Will tell you all , " where Shakespeare wrote " the first ...
... actors , not on Shakespeare's own script ( his " foul papers " ) or the playhouse script ( the " promptbook ... actor remembering " The first verse of the godly ballad / Will tell you all , " where Shakespeare wrote " the first ...
Page xxi
... actors ' mem- ories but an authoritative one , almost certainly deriving from Shakespeare's own holograph ( The Texts of " King Lear " and their Ori- gins : vol . 1 Nicholas Okes and the First Quarto , published 1982 ) . The poor ...
... actors ' mem- ories but an authoritative one , almost certainly deriving from Shakespeare's own holograph ( The Texts of " King Lear " and their Ori- gins : vol . 1 Nicholas Okes and the First Quarto , published 1982 ) . The poor ...
Contents
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
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Common terms and phrases
Act 4 Scene actor Adrian Noble Alack Albany Albany's Antony Antony Sher audience bastard beggar blind Brian Cox Burgundy Cordelia Corin Redgrave CORNWALL daughters death disguised dost Dover Duke Duke of Cornwall Edgar editors Edmund Enter Lear Exeunt Exit eyes father feel Following fortune France GENTLEMAN give gods Goneril Goneril and Regan grace hath heart human Ian McKellen Jonathan Bate KENT KENT LEAR King Lear kingdom knave LEAR FOOL LEAR KENT Lear's letter Lines look lord madam messenger Michael Gambon nature night nuncle performance Peter Brook pity played Lear poor Pray production Q corrected Q uncorrected Quarto text Regan role Royal Shakespeare Company running scene sense servant Shake Shakespeare sister speak speech stage storm tell theater thee there's thine things Tragedy traitor Trevor Nunn trumpet villain