King LearA king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
From inside the book
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Page v
The Division of the Kingdom Ripeness Is All? This Great Stage of Fools About the Text Key Facts The Tragedy of King Lear Textual Notes Quarto Passages That Do Not Appear in the Folio Scene-by-Scene Analysis King Lear in Performance: The ...
The Division of the Kingdom Ripeness Is All? This Great Stage of Fools About the Text Key Facts The Tragedy of King Lear Textual Notes Quarto Passages That Do Not Appear in the Folio Scene-by-Scene Analysis King Lear in Performance: The ...
Page x
Only when he has been stripped of the fine clothes and fine words of the court, has heard truth in the mouths of a fool and a (supposed) Bedlam beggar, does he find out what it really means to be human. Where Macbeth and Othello are ...
Only when he has been stripped of the fine clothes and fine words of the court, has heard truth in the mouths of a fool and a (supposed) Bedlam beggar, does he find out what it really means to be human. Where Macbeth and Othello are ...
Page xii
THIS GREAT STAGE OF FOOLS The Stoic philosopher tries to be ruled by reason rather than passion. ... The people who show friendship to Lear (Fool, Kent disguised as Caius, Edgar disguised as Poor Tom and then as Peasant) xii ...
THIS GREAT STAGE OF FOOLS The Stoic philosopher tries to be ruled by reason rather than passion. ... The people who show friendship to Lear (Fool, Kent disguised as Caius, Edgar disguised as Poor Tom and then as Peasant) xii ...
Page xiii
Lear echoes the sentiment: “When we are born, we cry that we are come / To this great stage of fools." In the great theater of the world, with the gods as audience, we are the fools on stage. Under the aspect of Folly, we see that aking ...
Lear echoes the sentiment: “When we are born, we cry that we are come / To this great stage of fools." In the great theater of the world, with the gods as audience, we are the fools on stage. Under the aspect of Folly, we see that aking ...
Page xiv
the play, but Cordelia—who has a special bond with the Fool—has to learn to lie. At the beginning, she can only tell the truth (hence her banishment), but later she lies beautifully and generously when Lear says that she has cause to do ...
the play, but Cordelia—who has a special bond with the Fool—has to learn to lie. At the beginning, she can only tell the truth (hence her banishment), but later she lies beautifully and generously when Lear says that she has cause to do ...
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LibraryThing Review
User Review - thornton37814 - LibraryThingThis full-cast audio recording tells the story of King Lear who unwisely divided his inheritance based on his perception of how much each daughter loved him. We see how this leads to a life of ... Read full review
LibraryThing Review
User Review - Kristelh - LibraryThingI read (listened) to this after reading A Thousand Acres by Jane Smiley. I enjoyed both very much. Read full review
Contents
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
Other editions - View all
Common terms and phrases
actor Albany answer appears arms asks audience bear beginning blind bring cause century character comes Cordelia Cornwall corrected daughters death directed draw Duke Edgar Edmund Enter Exit eyes father feel Folio Following Fool fortune France GENTLEMAN give Gloucester Gloucester's gods Goneril grace half hand hath head hear heart human keep KENT kind King Lear kingdom lead Lear's leave letter Lines live look lord master means mind nature never night Noble Oswald performance perhaps play poor production Quarto question reason Regan role running scene seems sense servant Shakespeare sister speak speech stage stand storm suggests tell theater thee things thou thought Tragedy true turn