King LearA king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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Page xx
... moving between Quarto and Folio readings, making choices on either aesthetic or bibliographic grounds, and creating a composite text that Shakespeare never actually wrote, How, then, did editors deal with the following awkward fact?
... moving between Quarto and Folio readings, making choices on either aesthetic or bibliographic grounds, and creating a composite text that Shakespeare never actually wrote, How, then, did editors deal with the following awkward fact?
Page xxiv
The following notes highlight various aspects of the editorial process and indicate conventions used in the text of this edition: Lists of Parts are supplied in the First Folio for only six plays, not including Lear, so the list at the ...
The following notes highlight various aspects of the editorial process and indicate conventions used in the text of this edition: Lists of Parts are supplied in the First Folio for only six plays, not including Lear, so the list at the ...
Page xxvii
They take the following form: the reading of our text is given in bold and its source given after an equals sign, with "Q" indicating one that derives from the principal Quarto, "F2" one that ABOUT THE TEXT xxvii.
They take the following form: the reading of our text is given in bold and its source given after an equals sign, with "Q" indicating one that derives from the principal Quarto, "F2" one that ABOUT THE TEXT xxvii.
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LibraryThing Review
User Review - thornton37814 - LibraryThingThis full-cast audio recording tells the story of King Lear who unwisely divided his inheritance based on his perception of how much each daughter loved him. We see how this leads to a life of ... Read full review
LibraryThing Review
User Review - Kristelh - LibraryThingI read (listened) to this after reading A Thousand Acres by Jane Smiley. I enjoyed both very much. Read full review
Contents
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
Other editions - View all
Common terms and phrases
actor Albany answer appears arms asks audience bear beginning blind bring cause century character comes Cordelia Cornwall corrected daughters death directed draw Duke Edgar Edmund Enter Exit eyes father feel Folio Following Fool fortune France GENTLEMAN give Gloucester Gloucester's gods Goneril grace half hand hath head hear heart human keep KENT kind King Lear kingdom lead Lear's leave letter Lines live look lord master means mind nature never night Noble Oswald performance perhaps play poor production Quarto question reason Regan role running scene seems sense servant Shakespeare sister speak speech stage stand storm suggests tell theater thee things thou thought Tragedy true turn