King LearRandom House Publishing Group, 2009 M08 4 - 272 pages A king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
From inside the book
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Page xii
... Albany demonstrates the inadequacy of belief in divine justice . His credo is that the good shall taste " The wages of their virtue " and the bad drink from the poisoned " cup of their deserv- ings . " This scheme works for the bad ...
... Albany demonstrates the inadequacy of belief in divine justice . His credo is that the good shall taste " The wages of their virtue " and the bad drink from the poisoned " cup of their deserv- ings . " This scheme works for the bad ...
Page xiv
... Albany's hapless faith in divine providence , but in moments of folly and love , as in this exchange : EDGAR KENT Bless thy five wits ! O pity ! Sir , where is the patience now That you so oft have boasted to retain ? Patience is the ...
... Albany's hapless faith in divine providence , but in moments of folly and love , as in this exchange : EDGAR KENT Bless thy five wits ! O pity ! Sir , where is the patience now That you so oft have boasted to retain ? Patience is the ...
Page xvi
... Albany . And seeing feelingly is to do with our sympathetic response to the images that confront us , both on the stage and in the great theater of the world . Lear becomes human when he stops caring about one kind of image ( the ...
... Albany . And seeing feelingly is to do with our sympathetic response to the images that confront us , both on the stage and in the great theater of the world . Lear becomes human when he stops caring about one kind of image ( the ...
Page xviii
... rules Scotland at the end of Macbeth , and Octavius rules the world at the end of Antony and Cleopatra . So who rules Britain ? The answer used to be something like this . As the husband of the king's eldest daughter , Albany About the ...
... rules Scotland at the end of Macbeth , and Octavius rules the world at the end of Antony and Cleopatra . So who rules Britain ? The answer used to be something like this . As the husband of the king's eldest daughter , Albany About the ...
Page xix
... Albany is the obvious candidate , but he seems reluctant to take on the role and , with astonishing stupidity given the chaos brought about by Lear's divi- sion of the kingdom at the beginning of the play , he proposes to divide the ...
... Albany is the obvious candidate , but he seems reluctant to take on the role and , with astonishing stupidity given the chaos brought about by Lear's divi- sion of the kingdom at the beginning of the play , he proposes to divide the ...
Contents
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
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Common terms and phrases
Act 4 Scene actor Adrian Noble Alack Albany Albany's Antony Antony Sher audience bastard beggar blind Brian Cox Burgundy Cordelia Corin Redgrave CORNWALL daughters death disguised dost Dover Duke Duke of Cornwall Edgar editors Edmund Enter Lear Exeunt Exit eyes father feel Following fortune France GENTLEMAN give gods Goneril Goneril and Regan grace hath heart human Ian McKellen Jonathan Bate KENT KENT LEAR King Lear kingdom knave LEAR FOOL LEAR KENT Lear's letter Lines look lord madam messenger Michael Gambon nature night nuncle performance Peter Brook pity played Lear poor Pray production Q corrected Q uncorrected Quarto text Regan role Royal Shakespeare Company running scene sense servant Shake Shakespeare sister speak speech stage storm tell theater thee there's thine things Tragedy traitor Trevor Nunn trumpet villain