King LearA king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
From inside the book
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Page xii
If the case of Edgar reveals the deficiency of Stoic comfort, that of Albany demonstrates the inadequacy of belief indivine justice. His credo is that the good shall taste "The wages of their virtue" and the bad drink from the poisoned ...
If the case of Edgar reveals the deficiency of Stoic comfort, that of Albany demonstrates the inadequacy of belief indivine justice. His credo is that the good shall taste "The wages of their virtue" and the bad drink from the poisoned ...
Page xiv
True wisdom comes not in Gloucester's and Edgar's words of Stoic comfort or Albany's hapless faith in divine providence, but in moments of folly and love, as in this exchange: EDGAR Bless thy five wits' KENT O pity!
True wisdom comes not in Gloucester's and Edgar's words of Stoic comfort or Albany's hapless faith in divine providence, but in moments of folly and love, as in this exchange: EDGAR Bless thy five wits' KENT O pity!
Page xvi
To be human is to see feelingly, not to fall back on easy moralizing, the "ought to say" that characterizes people like Albany. And seeing feelingly is to do with our sympathetic response to the images that confront us, ...
To be human is to see feelingly, not to fall back on easy moralizing, the "ought to say" that characterizes people like Albany. And seeing feelingly is to do with our sympathetic response to the images that confront us, ...
Page xviii
... Malcolm rules Scotland at the end of Macbeth, and Octavius rules the world at the end of Antony and Cleopatra. So who rules Britain? The answer used to be something like this. As the husband of the king's eldest daughter, Albany is ...
... Malcolm rules Scotland at the end of Macbeth, and Octavius rules the world at the end of Antony and Cleopatra. So who rules Britain? The answer used to be something like this. As the husband of the king's eldest daughter, Albany is ...
Page xix
As the husband of the king's eldest daughter, Albany is the obvious candidate, but he seems reluctant to take on the role and, with astonishing stupidity given the chaos brought about by Lear's division of the kingdom at the beginning ...
As the husband of the king's eldest daughter, Albany is the obvious candidate, but he seems reluctant to take on the role and, with astonishing stupidity given the chaos brought about by Lear's division of the kingdom at the beginning ...
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LibraryThing Review
User Review - DinadansFriend - LibraryThingNot my favourite play, but I did read it for completeness. A king, worn down by the trammells of office, divides his domain among his children and suffers from the flaws in his parenting. He is ... Read full review
LibraryThing Review
User Review - thornton37814 - LibraryThingThis full-cast audio recording tells the story of King Lear who unwisely divided his inheritance based on his perception of how much each daughter loved him. We see how this leads to a life of ... Read full review
Contents
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
Other editions - View all
Common terms and phrases
actor Albany answer appears arms asks audience bear beginning blind bring cause century character comes Cordelia Cornwall corrected daughters death directed draw Duke Edgar Edmund Enter Exit eyes father feel Folio Following Fool fortune France GENTLEMAN give Gloucester Gloucester's gods Goneril grace half hand hath head hear heart human keep KENT kind King Lear kingdom lead Lear's leave letter Lines live look lord master means mind nature never night Noble Oswald performance perhaps play poor production Quarto question reason Regan role running scene seems sense servant Shakespeare sister speak speech stage stand storm suggests tell theater thee things thou thought Tragedy true turn