Shakespeare's Romance of the Word, Volume 10Bucknell University Press, 1990 - 183 pages This work is a critical study of Pericles, Cymbeline, The Winter's Tale, and The Tempest, with a focus on Shakespeare's exploration of language in its destructive potentialities and its redemptive workings. |
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action appears beauty becomes believes Caliban Camillo cause characters concerning context court courtiers creates critical Cymbeline dance death divine dramatic ears effect Elizabethan English evil example experience expression eyes fact faith Ferdinand final flowers force gives gods hear Hermione human idea imagination Imogen important interpretation John kind King knowledge language Leontes linguistic London Marina Masque meaning mind Miranda nature never notes once original pastoral Paulina's Perdita Pericles perspective play Polixenes possible Posthumus Posthumus's present Prince Prospero providence Queen reason reflects Regarded remains remarkable Renaissance represents reprint reveals role romance scene sense Shake Shakespeare shapes speak speaker speech spirit stand story Studies suggests symbolic Tale tells Tempest thing thou thought tion true truth understanding University Press utterance verbal viewer virtue vision Winter's Winter's Tale words York