English Composition: Eight Lectures Given at the Lowell InstituteCharles Scribner's sons, 1891 - 320 pages |
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Page vii
... chief parts of every composition should be so placed as readily to catch the eye . The third , the principle of Coherence , con- cerns the internal arrangement of a composition : the relation of each part of a composition to its ...
... chief parts of every composition should be so placed as readily to catch the eye . The third , the principle of Coherence , con- cerns the internal arrangement of a composition : the relation of each part of a composition to its ...
Page ix
... chief ideas should generally be in its most conspicuous places ; and the relation of each sentence to the context should generally be unmistakable . By varying the arrangement of paragraphs , and by constantly applying these principles ...
... chief ideas should generally be in its most conspicuous places ; and the relation of each sentence to the context should generally be unmistakable . By varying the arrangement of paragraphs , and by constantly applying these principles ...
Page 18
... chief of which is that five centuries ago pretty much everything worth read- ing was comprised in what survived of the literatures of Greece and Rome , the education of civilized Euro- peans and Americans is still based on a prolonged ...
... chief of which is that five centuries ago pretty much everything worth read- ing was comprised in what survived of the literatures of Greece and Rome , the education of civilized Euro- peans and Americans is still based on a prolonged ...
Page 23
... chief danger of falling into a style not national . A few examples of style that is reputable and pres- ent , but not national , and so not good , will make the matter clear . " Ecteronic appendages , " I find in the first book of ...
... chief danger of falling into a style not national . A few examples of style that is reputable and pres- ent , but not national , and so not good , will make the matter clear . " Ecteronic appendages , " I find in the first book of ...
Page 26
... chief reason why style impresses us as a thing possessed of very subtile qualities is that human consent has agreed to asso- ciate with those palpably material facts , arbitrary sounds and the arbitrary marks that stand for them ...
... chief reason why style impresses us as a thing possessed of very subtile qualities is that human consent has agreed to asso- ciate with those palpably material facts , arbitrary sounds and the arbitrary marks that stand for them ...
Other editions - View all
English Composition: Eight Lectures Given at the Lowell Institute Barrett Wendell No preview available - 2016 |
Common terms and phrases
apply beginning Ben Jonson better catch the eye chapter chief chiefly clause clear Comedy of Errors commonplace composed composition of paragraphs composition of sentences connectives consider course definite deliberate denotation and connotation discourse distinct effect elements of style English English language example experience express fact Fisher Ames glance grammar graph Harvard College human impression Jefferson Davis kind language Latin literature loose matter means Midsummer Night's Dream mind never notable number of words order of words ourselves palpable perhaps periodic periodic sentences phrase precisely pretty principle of Coherence principle of Mass principle of Unity principles of composition Publius Crassus purpose question reader relation remember Rhetoric Saxon scream Sejanus sense Shakspere short simple Sir Thomas Browne Solecism speech subtile suggest tell tence thing thought and emotion tion trait usage whoever whole compositions wish to produce writing written
Popular passages
Page 274 - True wit is nature to advantage dress'd ; What oft was thought, but ne'er so well express'd ; Something, whose truth convinc'd at sight we find, That gives us back the image of our mind.
Page 273 - If all the pens that ever poets held Had fed the feeling of their masters' thoughts, And every sweetness that inspired their hearts, Their minds, and muses on admired themes ; If all the heavenly quintessence they still From their immortal flowers of poesy, Wherein, as in a mirror, we perceive The highest reaches of a human wit ; If these had made one poem's period, And all combined in beauty's worthiness, Yet should there hover in their restless heads One thought, one grace, one wonder, at the least,...
Page 57 - Tu-who, a merry note, While greasy Joan doth keel the pot. When all aloud the wind doth blow And coughing drowns the parson's saw And birds sit brooding in the snow And Marian's nose looks red and raw, When...
Page 278 - Desiring this man's art and that man's scope, With what I most enjoy contented least ; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate ; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings.
Page 283 - Hail to thee, blithe Spirit! Bird thou never wert, That from Heaven, or near it, Pourest thy full heart In profuse strains of unpremeditated art. Higher still and higher From the earth thou springest Like a cloud of fire; The blue deep thou wingest, And singing still dost soar, and soaring ever singest.
Page 251 - When all is done, (he concludes,) human life is at the greatest and the best but like a froward child, that must be played with and humoured a little to keep it quiet, till it falls asleep, and then the care is over.
Page 95 - KNOWING that you was my old master's good friend, I could not forbear sending you the melancholy news of his death, which has afflicted the whole country, as well as his poor servants, who loved him, I may say, better than we did our lives. I am afraid he caught his death the last county...
Page 7 - Thither our path lies; wind we up the heights: Wait ye the warning? Our low life was the level's and the night's; He's for the morning. Step to a tune, square chests, erect each head, 'Ware the beholders! This is our master, famous calm and dead, Borne on our shoulders.
Page 284 - There is a willow grows aslant 'a brook, That shows his hoar leaves in the glassy stream ; There with fantastic garlands did she come Of crow-flowers, nettles, daisies, and long purples That liberal shepherds give a grosser name, But our cold maids do dead men's fingers call them...
Page 170 - No more firing was heard at Brussels — the pursuit rolled miles away. Darkness came down on the field and city : and Amelia was praying for George, who was lying on his face, dead, with a bullet through his heart.