Modern Painters: pt.3. Of the imaginative and theoretic faculties

Abstrac Adamite agreeable angel Angelico animal appear Benozzo Gozzoli bodily body Brera Gallery Chap character Christ cloud color conceive conception Correggio creature degree delight dependent desire dignity Divine Doge's palace effect evident evil expression fancy farther fear feeling Fra Angelico Fra Bartolomeo fulness function Gentile Bellini Giorgione Giotto glory gradation hand heart human ideal ideas of beauty imperfection impressions instance intellect kind landscape Laocoon light look lower Madonna Masaccio matter ment Michael Angelo mind Mino da Fiesole modes moral mountain nature necessary ness never noble object observed operation painful painted painter passion perception perfect Perugino picture Pinturicchio Pitti palace pleasure present proportion pure purity Raffaelle reader received repose respecting rightly seen sense sensual signs spirit sublime suppose sympathy taste theoretic faculty things thought Tintoret tion Titian trees trunk truth typical beauty unity Venice