 Harrow ; and the intermediate space was occupied by the flat stage, as the pool or port of London, crowded with shipping, each mass of which being cut out in pasteboard, and receding in size by the perspective of their distance. The heathy appearance...  The Antiquary - Page 302edited by - 1904Full view - About this book
 | 1823 - 588 pages
...and Harrow; and the intermediate space was occupied by the flat stage, as the pool or port of London, crowded with shipping, each mass of which being cut...in size by the perspective of their distance. The heathy appearance of the foreground was managed with cork, broken into the rugged and picturesque forms... | |
 | William Henry Pyne - 1824 - 686 pages
...Harrow ; and the intermediate space was occupied by the flat stage, as the pool or port of London, crowded with shipping, each mass of which being cut...in size by the perspective of their distance. The heathy appearance of the foreground was constructed of cork, broken into the rugged and picturesque... | |
 | 1821 - 370 pages
...Harrow ; and the intermediate space was occupied by the flat stage, as the pool or port of London, crowded with shipping, each mass of which being cut...in size by the perspective of their distance. The heathy appearance of the foreground was constructed of cork, broken into the rugged and picturesque... | |
 | 1872 - 676 pages
...Chelsea to Poplar. The intermediate flat space represented the river crowded with shipping ; each man being cut out in pasteboard, and receding in size by the perspective of their distance. A heathy foreground was represented by miniature models in cork. The whole shown at morning, twilight,... | |
 | John Britton - 1850 - 548 pages
...Chelsea to Poplar. The intermediate flat space represented the river crowded with shipping, each mass being cut out in pasteboard, and receding in size by the perspective of their distance. A heathy foreground was represented by miniature models, in cork ; — the whole shown at morning-twilight,... | |
 | 1872 - 592 pages
...Chelsea to Poplar. The intermediate flat space represented the river crowded with shipping; each man being cut out in pasteboard, and receding in size by the perspective of their distance. A heathy foreground was represented by miniature models in cork. The whole shown at morning, twilight,... | |
 | 1872 - 602 pages
...Chelsea to Poplar. The intermediate flat space represented the river crowded with shipping; each man being cut out in pasteboard, and receding in size by the perspective of their distance. A heathy foreground was represented by miniature models in cork. The whole shown at morning, twilight,... | |
 | William John Hardy - 1912 - 462 pages
...Chelsea to Poplar. The intermediate flat space represented the river crowded with shipping, each mass being cut out in pasteboard, and receding in size by the perspective of their distance. A foreground was entirely represented by miniature models in cork; the whole shown at morning, twilight,... | |
 | Austin Dobson - 1912 - 342 pages
...and Harrow; and the intermediate space was occupied by the flat stage, as the pool or port of London, crowded with shipping, each mass of which being cut...in size by the perspective of their distance. The heathy appearance of the foreground was constructed of cork, broken into the rugged and picturesque... | |
 | Stephen Herbert - 2000 - 556 pages
...and Harrow, and the intermedíate space was occupied bv the Hat stage, as the pool or port of London, crowded with shipping, each mass of which being cut out in pasteboard, and receding in st¿e by the perspective of (heir distance The heathy appearance of the foreground was constructed... | |
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