Reading Genesis in the Long Eighteenth Century: From Milton to Mary ShelleyRoutledge, 2016 M12 5 - 217 pages In a reassessment of the long-accepted division between religion and enlightenment, Ana Acosta here traces a tissue of readings and adaptations of Genesis and Scriptural language from Milton through Rousseau to Wollstonecraft and Mary Shelley. Acosta's interdisciplinary approach places these writers in the broader context of eighteenth-century political theory, biblical criticism, religious studies and utopianism. Acosta's argument is twofold: she establishes the importance of Genesis within utopian thinking, in particular the influential models of Milton and Rousseau; and she demonstrates that the power of these models can be explained neither by traditional religious paradigms nor by those of religion or philosophy. In establishing the relationship between biblical criticism and republican utopias, Acosta makes a solid case that important utopian visions are better understood against the background of Genesis interpretation. This study opens a new perspective on theories of secularization, and as such will interest scholars of religious studies, intellectual history, and philosophy as well as of literary studies. |
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... Paradise lost . 8. Shelley , Mary Wollstonecraft , 1797-1851 . Frankenstein . 9. Rousseau , Jean - Jacques , 1712-1778— Criticism and interpretation . 10. Wollstonecraft , Mary , 1759-1797 - Criticism and interpretation . I. Title ...
... Paradise lost . 8. Shelley , Mary Wollstonecraft , 1797-1851 . Frankenstein . 9. Rousseau , Jean - Jacques , 1712-1778— Criticism and interpretation . 10. Wollstonecraft , Mary , 1759-1797 - Criticism and interpretation . I. Title ...
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... Paradise Lost, ed. Thomas Newton, 2 vols (London, 1749). Photo: Mark Hemhauser. Courtesy of University Archives and Special Collections, American University Library. F. Haymon, Book 4. In John Milton, Paradise Lost, ed. Thomas Newton, 2 ...
... Paradise Lost, ed. Thomas Newton, 2 vols (London, 1749). Photo: Mark Hemhauser. Courtesy of University Archives and Special Collections, American University Library. F. Haymon, Book 4. In John Milton, Paradise Lost, ed. Thomas Newton, 2 ...
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... Paradise Lost in 1667 to the publication of the first edition of Mary Shelley's Frankenstein in 1818. Although Milton is often classed among the early moderns and Shelley among the second-generation Romantics, I will argue here that ...
... Paradise Lost in 1667 to the publication of the first edition of Mary Shelley's Frankenstein in 1818. Although Milton is often classed among the early moderns and Shelley among the second-generation Romantics, I will argue here that ...
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... Paradise Lost, Milton presented his new version of Genesis as a national epic illustrating the possibilities of the private and the public dimensions of the future nation. Paradise Lost is exemplary of the utopian rewriting of Genesis ...
... Paradise Lost, Milton presented his new version of Genesis as a national epic illustrating the possibilities of the private and the public dimensions of the future nation. Paradise Lost is exemplary of the utopian rewriting of Genesis ...
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... lost state of happiness, putatively adhering to the account of the Garden of Eden but substantially revising the ... Paradise Lost, ed. Thomas Newton, 2 vols (London, 1749).
... lost state of happiness, putatively adhering to the account of the Garden of Eden but substantially revising the ... Paradise Lost, ed. Thomas Newton, 2 vols (London, 1749).
Contents
Dr Miltons Guide or the Utopia Within | |
The Passion of JeanJacques Rousseau or the Dystopia Within | |
Wollstonecrafts Body Politics or Philosophy in the Bedroom | |
Other editions - View all
Reading Genesis in the Long Eighteenth Century: From Milton to Mary Shelley Ana M. Acosta Limited preview - 2006 |
Reading Genesis in the Long Eighteenth Century: From Milton to Mary Shelley ANA M. ACOSTA No preview available - 2019 |
Common terms and phrases
Adam and Eve aesthetic allegory argued argument Astruc authority autobiographical Bible biblical bourgeois Cambridge Casanova Chapter Christian concept Confessions consequently contrast created creation creature creature's criticism critique death defined depiction divine documentary hypothesis dystopia Emile Enlightenment eschatological essay Eve's evil example fact fall fiction Frankenstein garden goal happiness Hebrew Bible Hobbes human Icosameron ideal ideology individual interpretation Jean Jean Astruc Jean-Jacques Rousseau Kant Kant's labor language literally London Mary Shelley Mary Wollstonecraft Mégamicres metaphor moral Moses myth mythic narrative Oeuvres Origin of Inequality Pandaemonium Paradise Lost perfect philosophical Plutarch poem poetics political prelapsarian prophetic voice rational reading reason relationship religion religious Rêveries rewrite Genesis rewriting of Genesis Satan scatology scripture second Discours secular sensuality Shelley's social society Sophie story structure teleology theodicy thou tradition trans truth University Press utopia Vindication Volney Werther Woman women words writings York