King LearBristol Classical Press, 1987 - 247 pages |
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Page 6
... stage direction ( V.2 ) — ' Alarum . Enter the powers of France over the stage , Cordelia with her father in her hand ' - the powerful pageantry of this foreign army is recorded . Another ceremonial touch noted was that Edgar , coming ...
... stage direction ( V.2 ) — ' Alarum . Enter the powers of France over the stage , Cordelia with her father in her hand ' - the powerful pageantry of this foreign army is recorded . Another ceremonial touch noted was that Edgar , coming ...
Page 50
... stage history of this period , Andrew Gurr , The Shakespearian Stage 1574-1642 ( 2nd ed . , 1980 ) 8 For a discussion of the Tudor versus Renaissance theories as applied to the Globe , see Bernard Beckermann , Shakespeare at the Globe ...
... stage history of this period , Andrew Gurr , The Shakespearian Stage 1574-1642 ( 2nd ed . , 1980 ) 8 For a discussion of the Tudor versus Renaissance theories as applied to the Globe , see Bernard Beckermann , Shakespeare at the Globe ...
Page 135
... stage : Wilkes described the effect of Garrick's entry : ' I never see him coming down from one corner of the Stage , with his old grey hair standing , as it were , erect upon his head , his face filled with horror and attention , his ...
... stage : Wilkes described the effect of Garrick's entry : ' I never see him coming down from one corner of the Stage , with his old grey hair standing , as it were , erect upon his head , his face filled with horror and attention , his ...
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Common terms and phrases
actor ALBANY audience Barker notes Burgundy Byrne Charles Kean Cordelia CORNWALL critics curse Cut by Irving daughters Donald Sinden Donald Wolfit dost drama duke Edmund Kean effect Enter Edgar Enter Lear entry Exeunt Exit eyes father followed Fool Fool's France Garrick GENTLEMAN Gielgud in 1940 Gloucester Gloucester's Goneril Goodbody Granada TV Granada TV production hand hath Hazlitt heart Hughes Irving cut Irving's J.C. Trewin J.P. Kemble Kean and Irving Kean's Kent Kent's King Lear knights Komisarjevsky Laughton Lear and Cordelia Lear's London Drury Lane lord Macready's madam madness noble nuncle Oswald pathos Paul Scofield performance Peter Brook Phelps playing Lear promptbook Regan restored role Samuel Phelps scene Scofield servants Shakespeare Shakespeare Memorial Theatre Shakespeare's text Shakespearian sister speak speech spoke stage storm Stratford upon Avon sword Tate Tate's text Tate's version tears Theatre theatrical thee thou throne Trewin villain