King LearBristol Classical Press, 1987 - 247 pages |
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Page 79
... scene here , sacrificing the sinister final exchanges to preserving as much of the focus on Lear's exit as their ... Scene 2 Tate's text , after the scene between Cordelia and Edgar and a brief version of Edmund's warnings to him , has a ...
... scene here , sacrificing the sinister final exchanges to preserving as much of the focus on Lear's exit as their ... Scene 2 Tate's text , after the scene between Cordelia and Edgar and a brief version of Edmund's warnings to him , has a ...
Page 155
... Scene 7 Colman's restorations of the Shakespeare text included parts of this scene ; he was thus in advance of Garrick , who followed Tate . Tate's version ran an abbreviated III.5 onto the opening of this scene ; Kemble and Kean ...
... Scene 7 Colman's restorations of the Shakespeare text included parts of this scene ; he was thus in advance of Garrick , who followed Tate . Tate's version ran an abbreviated III.5 onto the opening of this scene ; Kemble and Kean ...
Page 175
... scene . Garrick in his 1760s version forsook Tate at this point . Macready , and Charles Kean , having cut IV.5 , put this scene directly after IV.2 and IV.1 ( in that order ) . Charles Kean had an atmospheric , ominous set for it ...
... scene . Garrick in his 1760s version forsook Tate at this point . Macready , and Charles Kean , having cut IV.5 , put this scene directly after IV.2 and IV.1 ( in that order ) . Charles Kean had an atmospheric , ominous set for it ...
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Common terms and phrases
actor ALBANY audience Barker notes Burgundy Byrne Charles Kean Cordelia CORNWALL critics curse Cut by Irving daughters Donald Sinden Donald Wolfit dost drama duke Edmund Kean effect Enter Edgar Enter Lear entry Exeunt Exit eyes father followed Fool Fool's France Garrick GENTLEMAN Gielgud in 1940 Gloucester Gloucester's Goneril Goodbody Granada TV Granada TV production hand hath Hazlitt heart Hughes Irving cut Irving's J.C. Trewin J.P. Kemble Kean and Irving Kean's Kent Kent's King Lear knights Komisarjevsky Laughton Lear and Cordelia Lear's London Drury Lane lord Macready's madam madness noble nuncle Oswald pathos Paul Scofield performance Peter Brook Phelps playing Lear promptbook Regan restored role Samuel Phelps scene Scofield servants Shakespeare Shakespeare Memorial Theatre Shakespeare's text Shakespearian sister speak speech spoke stage storm Stratford upon Avon sword Tate Tate's text Tate's version tears Theatre theatrical thee thou throne Trewin villain