King LearBristol Classical Press, 1987 - 247 pages |
From inside the book
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Page 36
... rest of the century , and indeed rather beyond . Macready's conception of the role of Lear was intended to be part of the picture he had created : he attempted to balance his own performance at the centre of a single unified effect ...
... rest of the century , and indeed rather beyond . Macready's conception of the role of Lear was intended to be part of the picture he had created : he attempted to balance his own performance at the centre of a single unified effect ...
Page 93
... rest of this episode to 1. 158 , giving the Fool one final jibe to herald Goneril's entry , thus losing the bitter echoes of Cordelia's answer and keeping up his own anger with no intermission . 132-5 Again , Bridges - Adams had a ...
... rest of this episode to 1. 158 , giving the Fool one final jibe to herald Goneril's entry , thus losing the bitter echoes of Cordelia's answer and keeping up his own anger with no intermission . 132-5 Again , Bridges - Adams had a ...
Page 107
... rest of this scene to after the encounter between Kent and Oswald in Scene 2 , 1. 36 , where Cornwall and Regan and their train enter again . Then they played out this scene , followed by the rest of Scene 2. In this they are following ...
... rest of this scene to after the encounter between Kent and Oswald in Scene 2 , 1. 36 , where Cornwall and Regan and their train enter again . Then they played out this scene , followed by the rest of Scene 2. In this they are following ...
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Common terms and phrases
actor ALBANY audience Barker notes Burgundy Byrne Charles Kean Cordelia CORNWALL critics curse Cut by Irving daughters Donald Sinden Donald Wolfit dost drama duke Edmund Kean effect Enter Edgar Enter Lear entry Exeunt Exit eyes father followed Fool Fool's France Garrick GENTLEMAN Gielgud in 1940 Gloucester Gloucester's Goneril Goodbody Granada TV Granada TV production hand hath Hazlitt heart Hughes Irving cut Irving's J.C. Trewin J.P. Kemble Kean and Irving Kean's Kent Kent's King Lear knights Komisarjevsky Laughton Lear and Cordelia Lear's London Drury Lane lord Macready's madam madness noble nuncle Oswald pathos Paul Scofield performance Peter Brook Phelps playing Lear promptbook Regan restored role Samuel Phelps scene Scofield servants Shakespeare Shakespeare Memorial Theatre Shakespeare's text Shakespearian sister speak speech spoke stage storm Stratford upon Avon sword Tate Tate's text Tate's version tears Theatre theatrical thee thou throne Trewin villain