Abhinandana: Papers on Indology, Buddhism, and Fine Arts : a Felicitation Volume Presented to Jayadeva Tilakasiri on His Seventieth BirthdayM. Palihawadana, S. Weeratunge, M. H. Goonatilleka Felicitation Volume Editorial Committee, 1991 - 217 pages |
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Page 84
... Brahman . Change and activity belong to the sphere of nature which may be practically real but is finally unreal . There can be no real relationship between the transcendental being and Nature . The self is one only and it is none other ...
... Brahman . Change and activity belong to the sphere of nature which may be practically real but is finally unreal . There can be no real relationship between the transcendental being and Nature . The self is one only and it is none other ...
Page 82
... Brahman assumed diverse forms ( Chitrabrahmavȧda ) , others who believed in the plurality of the self ( nänätmavāda ) , another Vedantic opinion considered Brahman as the material cause ( upȧdäna ) of the universe , the atmavadins ...
... Brahman assumed diverse forms ( Chitrabrahmavȧda ) , others who believed in the plurality of the self ( nänätmavāda ) , another Vedantic opinion considered Brahman as the material cause ( upȧdäna ) of the universe , the atmavadins ...
Page 84
... Brahman . Change and activity belong to the sphere of nature which may be practically real but is finally unreal . There can be no real relationship between the transcendental being and Nature . The self is one only and it is none other ...
... Brahman . Change and activity belong to the sphere of nature which may be practically real but is finally unreal . There can be no real relationship between the transcendental being and Nature . The self is one only and it is none other ...
Contents
Methodological Consideration Concerning | 3 |
An Attempt at Reconstituting | 13 |
Two Chapters from the Vaijayanta Tantra | 25 |
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Abhidhamma Abhijnana Sakuntalam Abhinavagupta Aesthetic Ambalangoda Ananda angulas Asia Asian Asoka aspects Brahman Brāhmaṇas Buddha Buddhist called category mistake century cessation Ceylon characters citta cognitive Colombo conception consciousness countries cultural dance demon Dhamma Dhammalipi doctrine drama Edict elements emancipation epic ethical existence fact figures Galvihara human Ibid India karma Karunadasa Kashmir Kathakali king language later linguistic literary literature lotus Ludowyk make-up masks mind monism mudra Nagarjuna narrative nature Nibbana Nikaya Nirvana objects original paintings Pali Peradeniya performance philosophy Pitaka play present Prof Professor prose puppet theatre puppetry in Sri question Ramayana Ramayana theatre reference religion ritual Rukada Saiva Saivism Samyutta Nikaya Sankara sanne Sanskrit Sarvastivada sense shadow theatre Sigiriya Sinhala Sinhalese Sri Lanka stage style sunyata Sutta Sutta Pitaka texts theatrical theory of causation Theravada Tilakasiri Todeyya tradition unity University Dramsoc Upanisads Vedanta Vedic verses wayang Western word පිටු හා