The Technique of Wall Painting in Ancient India

Ajanta and Bagh Ajanta Cave XVI Ajanta frescos Ancient India animal glue applied architecture art of painting artists Badami Bagh Caves beeswax binding agent binding material binding medium Black carbonate chapters chemical examination Chola clay coat collagen colours Dabhade deals dried earth plaster Egypt Ellora Cave XII Ellora Cave XXXI film is weakly fresco gelatine ground gypsum iodoeosine iron and alumina Kailash temple Kalidasa khanda king Laxminarayan Institute layer lime lime plaster Mamandur Manasollas methyl violet miles moisture molasses mud plaster Mudga Nagpur University Narada ochre paint film Paint Technique PAINTING IN ANCIENT paintings in India Pallava particles percentage pigments plaster contain plaster surface powder presence of glue Puddukotai reference Rock cut temples Rough Plaster sand Sanskrit literature shlokas Shrikant shvetam Sigiriya silica Silpa Silparatna Sittanvasal technique of wall th century thick thin true fresco Vishvakarman wall surface washed weakly adhering wood apple yellow