King LearPenguin UK, 2005 M04 7 - 368 pages 'The most perfect specimen of the dramatic art existing in the world' Percy Bysshe Shelley |
From inside the book
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... (by Shakespeare and John Fletcher; known in its own time as All is True) Cardenio (by Shakespeare and Fletcher; lost) 1613 The Two Noble Kinsmen (by Shakespeare and Fletcher) 1613–14 Introduction 1 It is difficult not to be daunted by.
... (by Shakespeare and John Fletcher; known in its own time as All is True) Cardenio (by Shakespeare and Fletcher; lost) 1613 The Two Noble Kinsmen (by Shakespeare and Fletcher) 1613–14 Introduction 1 It is difficult not to be daunted by.
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... true that seeing King Lear acted with skill and understanding, not only in the theatre, but also in film versions viewed in the cinema or on TV, animates aspects of the play and discloses dramatic possibilities that would never strike ...
... true that seeing King Lear acted with skill and understanding, not only in the theatre, but also in film versions viewed in the cinema or on TV, animates aspects of the play and discloses dramatic possibilities that would never strike ...
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... True Chronicle History of King Leir and his three daughters, Gonorill, Ragan, and Cordella, but which had been performed over a decade earlier in 1594, by a cast that may have included Shakespeare himself. To this narrative Shakespeare ...
... True Chronicle History of King Leir and his three daughters, Gonorill, Ragan, and Cordella, but which had been performed over a decade earlier in 1594, by a cast that may have included Shakespeare himself. To this narrative Shakespeare ...
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... true identity from his father until the very end of their journey together. The episode in which Leonatus refuses to bring his father to the top of the rock from which he intends to fling himself is also developed by Shakespeare into ...
... true identity from his father until the very end of their journey together. The episode in which Leonatus refuses to bring his father to the top of the rock from which he intends to fling himself is also developed by Shakespeare into ...
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... true nature of his sons morphs into the real blindness which allows him to see feelingly the way the world goes. As Gloucester himself says to the old man who protests that he cannot see his way to Dover: 'I have no way and therefore ...
... true nature of his sons morphs into the real blindness which allows him to see feelingly the way the world goes. As Gloucester himself says to the old man who protests that he cannot see his way to Dover: 'I have no way and therefore ...
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Common terms and phrases
actors ALBANY arms bastard beggar Burgundy Cordelia Cornwall daughters death dost Dover Dr Johnson Duke Duke of Albany Duke of Cornwall Edmund Elizabethan Enter Edgar Enter Lear Exeunt Exit eyes F reading father fear feel Folio follow Fool Fool’s fortune foul fiend France GENTLEMAN give Gloucester’s gods Gonerill Gonerill and Regan grace Harsnet’s hast hath heart Henry VI honour i’the justice KENT Kent’s King Lear kingdom knave knights Lear’s letter look lord madam man’s matter means nature noble nuncle o’er o’the omitted Oswald perhaps poor Poor Tom Pray presumably prose in Q Q and F Q corrected Quarto Regan Richard III scene seems sense servant Shakespeare Shakespeare’s plays sister speak speech stand storm sword tears theatrical thee There’s thine things Titus Andronicus Tom’s tragedy trumpet villain Who’s Winter’s Tale words wretches