King LearPenguin UK, 2005 M04 7 - 368 pages 'The most perfect specimen of the dramatic art existing in the world' Percy Bysshe Shelley |
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... grounded in classical rhetoric and oratory, studying authors such as Ovid, Cicero and Quintilian, and would have been required to read, speak, write and even think in Latin from his early years. This classical General Introduction.
... grounded in classical rhetoric and oratory, studying authors such as Ovid, Cicero and Quintilian, and would have been required to read, speak, write and even think in Latin from his early years. This classical General Introduction.
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... speaking the unvarnished truth about their relationship. 'I loved her most' (I.1.123), laments Lear, clinging still to the computation of love; yet the speed with which he converts that love into its monstrous antithesis, and the ...
... speaking the unvarnished truth about their relationship. 'I loved her most' (I.1.123), laments Lear, clinging still to the computation of love; yet the speed with which he converts that love into its monstrous antithesis, and the ...
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actors ALBANY arms bastard beggar Burgundy Cordelia Cornwall daughters death dost Dover Dr Johnson Duke Duke of Albany Duke of Cornwall Edmund Elizabethan Enter Edgar Enter Lear Exeunt Exit eyes F reading father fear feel Folio follow Fool Fool’s fortune foul fiend France GENTLEMAN give Gloucester’s gods Gonerill Gonerill and Regan grace Harsnet’s hast hath heart Henry VI honour i’the justice KENT Kent’s King Lear kingdom knave knights Lear’s letter look lord madam man’s matter means nature noble nuncle o’er o’the omitted Oswald perhaps poor Poor Tom Pray presumably prose in Q Q and F Q corrected Quarto Regan Richard III scene seems sense servant Shakespeare Shakespeare’s plays sister speak speech stand storm sword tears theatrical thee There’s thine things Titus Andronicus Tom’s tragedy trumpet villain Who’s Winter’s Tale words wretches