King LearPenguin UK, 2005 M04 7 - 368 pages 'The most perfect specimen of the dramatic art existing in the world' Percy Bysshe Shelley |
From inside the book
Results 1-5 of 61
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... Poor Tom, and conceals his true identity from his father until the very end of their journey together. The episode in which Leonatus refuses to bring his father to the top of the rock from which he intends to fling himself is also ...
... Poor Tom, and conceals his true identity from his father until the very end of their journey together. The episode in which Leonatus refuses to bring his father to the top of the rock from which he intends to fling himself is also ...
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... Poor Tom as authentic as possible testify to the intensity of Shakespeare's absorption in Edgar's alter ego and the importance he attached to the creature's part in the play. The devils' names Flibberdigibbet, Smulkin, Modo and Mahu all ...
... Poor Tom as authentic as possible testify to the intensity of Shakespeare's absorption in Edgar's alter ego and the importance he attached to the creature's part in the play. The devils' names Flibberdigibbet, Smulkin, Modo and Mahu all ...
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... Poor Tom in the storm are unmistakable. But the tragedy may well owe a subtler, pervasive debt to Montaigne's radical scepticism about the unquestioned assumptions and values of the early modern world, and his readiness to ride ...
... Poor Tom in the storm are unmistakable. But the tragedy may well owe a subtler, pervasive debt to Montaigne's radical scepticism about the unquestioned assumptions and values of the early modern world, and his readiness to ride ...
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... poor, infirm, weak, and despised old man' (20). As his 'wits begin to turn' (III.2.67) and the cold begins to bite, he shows concern for the Fool's discomfort instead of his own, and ushers him into the hovel ahead of himself. Before he ...
... poor, infirm, weak, and despised old man' (20). As his 'wits begin to turn' (III.2.67) and the cold begins to bite, he shows concern for the Fool's discomfort instead of his own, and ushers him into the hovel ahead of himself. Before he ...
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... poor and subjects them to the powerful in the first place. The Lear whom Cordelia is reunited with shortly after this, the Lear who kneels to her for forgiveness, is a very different king from the irate tyrant who cast her off in the ...
... poor and subjects them to the powerful in the first place. The Lear whom Cordelia is reunited with shortly after this, the Lear who kneels to her for forgiveness, is a very different king from the irate tyrant who cast her off in the ...
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Common terms and phrases
actors ALBANY arms bastard beggar Burgundy Cordelia Cornwall daughters death dost Dover Dr Johnson Duke Duke of Albany Duke of Cornwall Edmund Elizabethan Enter Edgar Enter Lear Exeunt Exit eyes F reading father fear feel Folio follow Fool Fool’s fortune foul fiend France GENTLEMAN give Gloucester’s gods Gonerill Gonerill and Regan grace Harsnet’s hast hath heart Henry VI honour i’the justice KENT Kent’s King Lear kingdom knave knights Lear’s letter look lord madam man’s matter means nature noble nuncle o’er o’the omitted Oswald perhaps poor Poor Tom Pray presumably prose in Q Q and F Q corrected Quarto Regan Richard III scene seems sense servant Shakespeare Shakespeare’s plays sister speak speech stand storm sword tears theatrical thee There’s thine things Titus Andronicus Tom’s tragedy trumpet villain Who’s Winter’s Tale words wretches