King LearPenguin UK, 2005 M04 7 - 368 pages 'The most perfect specimen of the dramatic art existing in the world' Percy Bysshe Shelley |
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... Titus Andronicus, The Comedy of Errors, and the narrative poems Venus and Adonis (1592–3) and The Rape of Lucrece (1593–4), and is still evident in his latest plays, informing the dream visions of Pericles and Cymbeline and the masque ...
... Titus Andronicus, The Comedy of Errors, and the narrative poems Venus and Adonis (1592–3) and The Rape of Lucrece (1593–4), and is still evident in his latest plays, informing the dream visions of Pericles and Cymbeline and the masque ...
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... Titus Andronicus. And towards the end he collaborated with George Wilkins (fl. 1604–8) in Pericles, and with his younger colleagues Thomas Middleton (1580–1627), in.
... Titus Andronicus. And towards the end he collaborated with George Wilkins (fl. 1604–8) in Pericles, and with his younger colleagues Thomas Middleton (1580–1627), in.
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... Titus Andronicus (perhaps with George Peele) 1592 Richard III 1592–3 Venus and Adonis (poem) 1592–3 The Rape of Lucrece (poem) 1593–4 The Comedy of Errors 1594 Love's Labour's Lost 1594–5 Edward The Chronology of Shakespeare's Works.
... Titus Andronicus (perhaps with George Peele) 1592 Richard III 1592–3 Venus and Adonis (poem) 1592–3 The Rape of Lucrece (poem) 1593–4 The Comedy of Errors 1594 Love's Labour's Lost 1594–5 Edward The Chronology of Shakespeare's Works.
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... Titus Andronicus (1592), he had tackled the derangement and destruction of a tyrannical patriarch, bereft of his beloved daughter. More recently, in Hamlet (1600–1601), the first of the great, mature tragedies, he had transmuted tragedy ...
... Titus Andronicus (1592), he had tackled the derangement and destruction of a tyrannical patriarch, bereft of his beloved daughter. More recently, in Hamlet (1600–1601), the first of the great, mature tragedies, he had transmuted tragedy ...
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actors ALBANY arms bastard beggar Burgundy Cordelia Cornwall daughters death dost Dover Dr Johnson Duke Duke of Albany Duke of Cornwall Edmund Elizabethan Enter Edgar Enter Lear Exeunt Exit eyes F reading father fear feel Folio follow Fool Fool’s fortune foul fiend France GENTLEMAN give Gloucester’s gods Gonerill Gonerill and Regan grace Harsnet’s hast hath heart Henry VI honour i’the justice KENT Kent’s King Lear kingdom knave knights Lear’s letter look lord madam man’s matter means nature noble nuncle o’er o’the omitted Oswald perhaps poor Poor Tom Pray presumably prose in Q Q and F Q corrected Quarto Regan Richard III scene seems sense servant Shakespeare Shakespeare’s plays sister speak speech stand storm sword tears theatrical thee There’s thine things Titus Andronicus Tom’s tragedy trumpet villain Who’s Winter’s Tale words wretches