King LearPenguin UK, 2005 M04 7 - 368 pages 'The most perfect specimen of the dramatic art existing in the world' Percy Bysshe Shelley |
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William Shakespeare George Hunter. William Shakespeare KING LEAR Edited with a Commentary by George Hunter and with an Introduction by Kiernan Ryan Contents General Introduction The Chronology of Shakespeare's Works Introduction The.
William Shakespeare George Hunter. William Shakespeare KING LEAR Edited with a Commentary by George Hunter and with an Introduction by Kiernan Ryan Contents General Introduction The Chronology of Shakespeare's Works Introduction The.
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... of Shakespeare's Works Introduction The Play in Performance Further Reading KING LEAR An Account of the Text Words for Music in King Lear Commentary Follow Penguin FOUNDING EDITOR: T. J. B. SPENCER GENERAL EDITOR: STANLEY WELLS.
... of Shakespeare's Works Introduction The Play in Performance Further Reading KING LEAR An Account of the Text Words for Music in King Lear Commentary Follow Penguin FOUNDING EDITOR: T. J. B. SPENCER GENERAL EDITOR: STANLEY WELLS.
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... KING LEAR T. J. B. SPENCER, sometime Director of the Shakespeare Institute of the University of Birmingham, was the founding editor of the New Penguin Shakespeare, for which he edited both Romeo and Juliet and Hamlet. STANLEY WELLS is ...
... KING LEAR T. J. B. SPENCER, sometime Director of the Shakespeare Institute of the University of Birmingham, was the founding editor of the New Penguin Shakespeare, for which he edited both Romeo and Juliet and Hamlet. STANLEY WELLS is ...
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... King Lear, Macbeth and Antony and Cleopatra. Gradually he discovered ways of adapting the regular beat of the pentameter to make it an infinitely flexible instrument for matching thought with feeling. Towards the end of his career, in ...
... King Lear, Macbeth and Antony and Cleopatra. Gradually he discovered ways of adapting the regular beat of the pentameter to make it an infinitely flexible instrument for matching thought with feeling. Towards the end of his career, in ...
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... King Lear and Macbeth. He maintained an output of around two plays a year, ringing the changes between comic and serious. All his comedies have serious elements: Shylock, in The Merchant of Venice, almost reaches tragic dimensions, and ...
... King Lear and Macbeth. He maintained an output of around two plays a year, ringing the changes between comic and serious. All his comedies have serious elements: Shylock, in The Merchant of Venice, almost reaches tragic dimensions, and ...
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Common terms and phrases
actors ALBANY arms bastard beggar Burgundy Cordelia Cornwall daughters death dost Dover Dr Johnson Duke Duke of Albany Duke of Cornwall Edmund Elizabethan Enter Edgar Enter Lear Exeunt Exit eyes F reading father fear feel Folio follow Fool Fool’s fortune foul fiend France GENTLEMAN give Gloucester’s gods Gonerill Gonerill and Regan grace Harsnet’s hast hath heart Henry VI honour i’the justice KENT Kent’s King Lear kingdom knave knights Lear’s letter look lord madam man’s matter means nature noble nuncle o’er o’the omitted Oswald perhaps poor Poor Tom Pray presumably prose in Q Q and F Q corrected Quarto Regan Richard III scene seems sense servant Shakespeare Shakespeare’s plays sister speak speech stand storm sword tears theatrical thee There’s thine things Titus Andronicus Tom’s tragedy trumpet villain Who’s Winter’s Tale words wretches