The Revisionist Stage: American Directors Reinvent the ClassicsCambridge University Press, 1994 M09 30 - 226 pages The Revisionist Stage salutes the achievements of a revolutionary group of American directors who have galvanized the standard dramatic repertoire by reworking classic theatre into new forms for the contemporary stage. First setting out comprehensive theoretical and practical overviews of the field, Green goes on to present a critical history that features bold directorial ventures by JoAnne Akalaitis, Lee Breuer, Liviu Ciulei, Richard Foreman, Joseph Papp, Lucian Pintilie, Richard Schechner, Peter Sellars, Andrei Serban, Robert Woodruff, and Garland Wright. Green's critique ranges from works grounded in one historical period (Greek and Roman plays) to those authored by one playwright (Shakespeare, Moliere, and the operas of Mozart and da Ponte). Specifically discussed are such theatrical events as Serban's Fragments of a Trilogy, Breuer's The Gospel at Colonus and Lear, and Peter Sellars's operatic trilogy. With singular versatility and insight, Green thus leads the way to a more informed reading of the business of theatrical revision, challenging its claims, celebrating its ingenuities, and conducting a full-scale investigation of a genre remarkable both for its richness and for its ability to arouse spirited public debate. |
Contents
Section 1 | 49 |
Section 2 | 55 |
Section 3 | 60 |
Section 4 | 83 |
Section 5 | 96 |
Section 6 | 109 |
Section 7 | 135 |
Section 8 | 141 |
Section 9 | 143 |
Section 10 | 155 |
Section 11 | 161 |
Section 12 | 167 |
Section 13 | 183 |
Other editions - View all
The Revisionist Stage: American Directors Reinvent the Classics Amy S. Green No preview available - 1994 |
The Revisionist Stage: American Directors Reinvent the Classics Amy S. Green No preview available - 2006 |
Common terms and phrases
acting actors aesthetic Akalaitis's American directors American Shakespeare American Theatre Andrei Serban Artaud artistic Bermel Brecht cast century characters classic plays classic texts classical theatre Comedy of Errors concept contemporary Cosí Cosi fan Tutte costumes critics culture Cymbeline Deconstruction directed by Peter directed by Richard Don Giovanni Drama Review Figaro final Garland Wright gestures Gospel at Colonus Greek Grotowski Guthrie Theatre Harpagon historical Ibid ideas images interpretation interview JoAnne Akalaitis Joseph Papp King Lear Kott Lear's Lee Breuer Liviu Ciulei Mabou Mines Maleczech masks ment Meyerhold Michael Misanthrope Miser modern Molière Molière's Mozart Mozart-da Ponte Oedipus opera original Papp's Performing Arts Journal Peter Brook Peter Sellars Planchon play's playwright political postmodern production production's quoted rehearsal reinventions review of Don revisionist rewrighting Richard Foreman Richard Schechner Robert Brustein role says scene script Sellars's sexual Shrew stage style Summerfare Susanna Tartuffe Theatre Journal theatrical tion tradition Village Voice