Comparative Aesthetics, Eastern and Western

Abhinavagupta abstract abstract art aesthetic activity aesthetic experience aesthetic form Anandavardhana appreciation artist aspect beauty becomes Bharata Bosanquet called Cassirer character Clive Bell cognition colour concept concrete consciousness created creation creative criticism Croce define definition of art discursive distinction distinguished drama dream embodiment emotions envisaged Eric Newton Ernst Cassirer exist expression fact form of feeling fused gesture Hegel Herbert Read human Ibid ideas illusion imagination imitation impressionism Indian aesthetic Indian aestheticians Indian art individual insight integral intellect intuition involved Kālidāsa logical lower senses meaning medium metaphysical mind mode moral Morris Weitz myth nature object one's painter painting perception person philosophy of art play pleasure poem poet poetic poetry practical present R. G. Collingwood rasa rasās realisation reality recognised religion religious representational element says scientific scientist speaks spectator Susanne Langer symbol T. S. Eliot things tion truth universal Vātsyāyana vision visualised Western whole word