Imre: A Memorandum

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Arno Press, 1975 - 205 pages
"Imre is one of the first openly gay American novels with a happy ending. Described by the author as "a little psychological romance," the narrative follows two men who meet by chance in a cafe in Budapest, where they forge a friendship that leads to a series of mutual revelations and gradual disclosures. With its sympathetic characterizations of homosexual men, Imre's 1906 publication marked a turning point in literature in English." "This edition includes material relating to the novel's origins, contemporary writings on homosexuality, other writings by Prime-Stevenson, and a contemporary review."--BOOK JACKET.
 

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Page 131 - Oh, the little more, and how much it is! And the little less, and what worlds away!
Page 79 - The fault was mine; nor do I seek to screen My errors with defensive paradox; I have been cunning in mine overthrow, The careful pilot of my proper woe.
Page 135 - ... all over the world today ; and of the grave attention that European scientists and jurists have been devoting to problems concerned with homosexualism. I could pursue intelligently the growing efforts to set right the public mind as to so ineradicable and misundertood a phase of humanity.
Page 116 - Hais, a Henri Trois, a Marquis de Sade; the painted male-prostitutes of the boulevards and twilightglooming squares ! The effeminate artists, the sugary and fibreless musicians ! The Lady Nancyish, rich young men of higher or lower society; twaddling aesthetic sophistries; stinking with perfume like cocottes! The second-rate poets and the neurasthenic, precieux poetasters who rhyme forth their forged literary passports out of their mere human decadence; out of their marrowless shams of all that is...
Page 117 - Frederick the Great, to indomitable Tilly, to the fiery Skobeleff, the austere Gordon, the ill-starred Macdonald; to the brightest lyrists and dramatists of old Hellas and Italia; to Shakespeare (to Marlowe also, we can well believe), Platen, Grillparzer, Holderlin, Byron, Whitman; to an Isaac Newton, a Justus Liebig — to Michel- Angelo and Sodoma; to the masterly Jerome Duquesnoy, the classic-souled Winckelmann; to Mirabeau, Beethoven, Bavaria's unhappy King Ludwig; — to an endless procession...
Page 79 - TITAN ! to whose immortal eyes The sufferings of mortality, Seen in their sad reality, Were not as things that gods despise ; What was thy pity's recompense ? A silent suffering, and intense ; The rock, the vulture, and the chain, All that the proud can feel of pain, The agony they do not show The suffocating sense of woe, Which speaks but in its loneliness, And then is jealous lest the sky Should have a listener, nor will sigh Until its voice is echoless.
Page 43 - Yet all this force, this muscular address, was concealed by the symmetry of his graceful, clastic frame. Not till he was nude, and one could trace the ripple of muscle and sinew under the fine, hairless skin, did one realize the machinery of such strength.
Page 111 - Tschaikovsky before knowing facts in the life-stories of either of them — or of an hundred other tone-autobiographists. "And I had recognized what it all meant to most people today! From the disgust, scorn and laughter of my fellow men when such an emotion was hinted at! I understood perfectly that a man must wear the Mask...
Page 117 - What a contrast are these to great Oriental princes and to the heroes and heroic intellects of Greece and Rome ! To a Themistocles, an Agesilaus, an Aristides and a Kleomenes; to Socrates and Plato, and Saint Augustine, to Servetus and Beza; to Alexander, Julius Caesar, Augustus , and Hadrian ; to Prince Eugene of Savoy, to Sweden's Charles the Twelfth, to Frederic the Great, to indomitable Tilly, to the fiery...
Page 152 - If I could.. .my God! If I only could!. ..say to thee what I cannot. Perhaps... some time... Forgive me, but thou breakest my heart!... Not because I care less for thee as my friend. ..no, above all else, not that reason! We stay together, Oswald!... We shall always be what we have become to each other! Oh, we cannot change, not through all our lives! Not in death, not in anything! Oh, Oswald! that thou couldst think, for an instant, that I — I — would dream of turning away from thee... suffer...

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