On the Structuring of Sanskrit Drama: Structure of Drama in Bharata and AristotleSaraswati Pustak Bhandar, 1984 - 171 pages |
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Page 49
... unity ' . When Dryden sought to modify Aristotle's definition and substituted the term " human nature " for the Aristotelian term " action " , and similarly " play " for " tragedy " - " A play ought to be a just and lively image of ...
... unity ' . When Dryden sought to modify Aristotle's definition and substituted the term " human nature " for the Aristotelian term " action " , and similarly " play " for " tragedy " - " A play ought to be a just and lively image of ...
Page 50
... unity of impression , only , it must not be con- fused with the unity of action . Manmohan Ghosh qotes from Bharata on the sandhis to show how this unity of impression is to be achieved : ... in the plot of a drama , the playwright had ...
... unity of impression , only , it must not be con- fused with the unity of action . Manmohan Ghosh qotes from Bharata on the sandhis to show how this unity of impression is to be achieved : ... in the plot of a drama , the playwright had ...
Page 53
... unity and uniqueness Unity is to be understood as th principle of causality . But art must be founded on concrete models rather than on universals . In this context the use of the term ' universal ' in the Poetics ( Chapter IX ) will ...
... unity and uniqueness Unity is to be understood as th principle of causality . But art must be founded on concrete models rather than on universals . In this context the use of the term ' universal ' in the Poetics ( Chapter IX ) will ...
Common terms and phrases
accepted according action activity actors aesthetic Appendix I/II Aristotle Aristotle's aspect Attainment audience beginning Bharata bhāvas Book called catharsis Chapter characters concept concerns context Criticism Daityas dance demons describe dramatic performance edited effect elements emotions experience explained feelings forms function Gestures Ghosh gives gods Golden Greek Greek tragedy Hardison hero human Ibid idea imitation implied important Indian intellection interpretation kinds knowledge known literature London matter means mind nature Nirgita object performance person play pleasure plot poet Poetics poetry possible present principle problem production Published puts Quoted rasa theory reality reason refer regarded relate Representation response result sandhis Sanskrit drama schools Sentiments Shakespeare similar situation spectator stage structure supposed term things tragedy tragic translation unity University various Verse vibhāvas Western whole writer इति तथा तु हि