On the Structuring of Sanskrit Drama: Structure of Drama in Bharata and AristotleSaraswati Pustak Bhandar, 1984 - 171 pages |
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Page 24
... spectator or hearer or reader when confronted with a tragic story ? 8 0 0 0 0 ... the catharis is not a change or end- product in the spectator's soul ... but a process carried forward in the emotional material of the play by its ...
... spectator or hearer or reader when confronted with a tragic story ? 8 0 0 0 0 ... the catharis is not a change or end- product in the spectator's soul ... but a process carried forward in the emotional material of the play by its ...
Page 75
... spectators have been known to rise in fury against the actors impersonating Othello and Iago . Emilia , Iago's wife acts as a safety valve in Act 5 Scene 2 for the spectator who would have felt like climbing up on the stage and slapping ...
... spectators have been known to rise in fury against the actors impersonating Othello and Iago . Emilia , Iago's wife acts as a safety valve in Act 5 Scene 2 for the spectator who would have felt like climbing up on the stage and slapping ...
Page 97
... spectator , a sahṛdaya , a spectator prepared to enter into a state of empathy with the action and the characters . Viewed in this context all the other five schools of aesthetics seem to refer to the second factor , the stage of ...
... spectator , a sahṛdaya , a spectator prepared to enter into a state of empathy with the action and the characters . Viewed in this context all the other five schools of aesthetics seem to refer to the second factor , the stage of ...
Common terms and phrases
accepted according action activity actors aesthetic Appendix I/II Aristotle Aristotle's aspect Attainment audience beginning Bharata bhāvas Book called catharsis Chapter characters concept concerns context Criticism Daityas dance demons describe dramatic performance edited effect elements emotions experience explained feelings forms function Gestures Ghosh gives gods Golden Greek Greek tragedy Hardison hero human Ibid idea imitation implied important Indian intellection interpretation kinds knowledge known literature London matter means mind nature Nirgita object performance person play pleasure plot poet Poetics poetry possible present principle problem production Published puts Quoted rasa theory reality reason refer regarded relate Representation response result sandhis Sanskrit drama schools Sentiments Shakespeare similar situation spectator stage structure supposed term things tragedy tragic translation unity University various Verse vibhāvas Western whole writer इति तथा तु हि