On the Structuring of Sanskrit Drama: Structure of Drama in Bharata and AristotleSaraswati Pustak Bhandar, 1984 - 171 pages |
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Page 11
... dance nor literature , nor a democracy of various arts functioning together , but is poetry in the mode of action , the relatious of all its elements to each other and to the whole work become clear the primacy of the script , which ...
... dance nor literature , nor a democracy of various arts functioning together , but is poetry in the mode of action , the relatious of all its elements to each other and to the whole work become clear the primacy of the script , which ...
Page 78
... dance - like movements and ges- tures , dancing and music , and the representation in the like manner of riding a chariot or a horse , or getting off these and so on1o effectively distanced the life on the stage from the life in the ...
... dance - like movements and ges- tures , dancing and music , and the representation in the like manner of riding a chariot or a horse , or getting off these and so on1o effectively distanced the life on the stage from the life in the ...
Page 80
... dance action without words ; only drama is words - action- music in one , to which is added an imag- ined spectacle that embraces the quintes- sence of painting , sculpture , architecture , and decoration.2 The dance , the music , the ...
... dance action without words ; only drama is words - action- music in one , to which is added an imag- ined spectacle that embraces the quintes- sence of painting , sculpture , architecture , and decoration.2 The dance , the music , the ...
Common terms and phrases
accepted according action activity actors aesthetic Appendix I/II Aristotle Aristotle's aspect Attainment audience beginning Bharata bhāvas Book called catharsis Chapter characters concept concerns context Criticism Daityas dance demons describe dramatic performance edited effect elements emotions experience explained feelings forms function Gestures Ghosh gives gods Golden Greek Greek tragedy Hardison hero human Ibid idea imitation implied important Indian intellection interpretation kinds knowledge known literature London matter means mind nature Nirgita object performance person play pleasure plot poet Poetics poetry possible present principle problem production Published puts Quoted rasa theory reality reason refer regarded relate Representation response result sandhis Sanskrit drama schools Sentiments Shakespeare similar situation spectator stage structure supposed term things tragedy tragic translation unity University various Verse vibhāvas Western whole writer इति तथा तु हि