On the Structuring of Sanskrit Drama: Structure of Drama in Bharata and AristotleSaraswati Pustak Bhandar, 1984 - 171 pages |
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Page 47
... accepted without question is a case in point . Excepting for the blending of the tragic and the comic - which , in point of theory , is an issue outside the Poetics - drama in the West continued to be Aristotelian till the need for a ...
... accepted without question is a case in point . Excepting for the blending of the tragic and the comic - which , in point of theory , is an issue outside the Poetics - drama in the West continued to be Aristotelian till the need for a ...
Page 96
... accepted . Its relationship to the other five major schools of aesthetics is not fully investigated . These five schools , generally believed to have been , in point of origin , the post - rasa schools , are Bhamaha's school of alankara ...
... accepted . Its relationship to the other five major schools of aesthetics is not fully investigated . These five schools , generally believed to have been , in point of origin , the post - rasa schools , are Bhamaha's school of alankara ...
Page 105
... Ajanta Publications , Delhi , 1978 ( Reprint : The date of the first edition is not given . The thesis was accepted in 1943 ) , p . 181 . 9. NS XXI . 52-53 . See Appendix I / II . 10. NŚ XXI . 55. See Appendix I / II Sanskrit Drama 105.
... Ajanta Publications , Delhi , 1978 ( Reprint : The date of the first edition is not given . The thesis was accepted in 1943 ) , p . 181 . 9. NS XXI . 52-53 . See Appendix I / II . 10. NŚ XXI . 55. See Appendix I / II Sanskrit Drama 105.
Common terms and phrases
accepted according action activity actors aesthetic Appendix I/II Aristotle Aristotle's aspect Attainment audience beginning Bharata bhāvas Book called catharsis Chapter characters concept concerns context Criticism Daityas dance demons describe dramatic performance edited effect elements emotions experience explained feelings forms function Gestures Ghosh gives gods Golden Greek Greek tragedy Hardison hero human Ibid idea imitation implied important Indian intellection interpretation kinds knowledge known literature London matter means mind nature Nirgita object performance person play pleasure plot poet Poetics poetry possible present principle problem production Published puts Quoted rasa theory reality reason refer regarded relate Representation response result sandhis Sanskrit drama schools Sentiments Shakespeare similar situation spectator stage structure supposed term things tragedy tragic translation unity University various Verse vibhāvas Western whole writer इति तथा तु हि