Imperfect Apprehensions: Essays in English Literature in Honour of G.A. WilkesGeoffrey Little Challis Press, 1996 - 284 pages |
From inside the book
Results 1-3 of 13
Page 237
... Silas at his cottage . Such locales are restrained metaphors . Eliot also uses light and dark as metaphor , although this is not a radically structural device as are ... Silas's cache of golden guineas . Later Silas feels ' 237 C. A. Runcie.
... Silas at his cottage . Such locales are restrained metaphors . Eliot also uses light and dark as metaphor , although this is not a radically structural device as are ... Silas's cache of golden guineas . Later Silas feels ' 237 C. A. Runcie.
Page 239
... Silas / Eppie story and develops by the great romantic reverdie motif of nature's bounty and the return of spring ; and secondarily , in the Silas / Dolly_story developed by the gift giving and the drawing of Marner into the community ...
... Silas / Eppie story and develops by the great romantic reverdie motif of nature's bounty and the return of spring ; and secondarily , in the Silas / Dolly_story developed by the gift giving and the drawing of Marner into the community ...
Page 243
... Silas's expression when we first see him is tense , spare , as he concentrates with a willed intensity on his weaving . In the flashbacks to Lantern Yard , Silas's face bespeaks trust and affection as he scans his friend's face for help ...
... Silas's expression when we first see him is tense , spare , as he concentrates with a willed intensity on his weaving . In the flashbacks to Lantern Yard , Silas's face bespeaks trust and affection as he scans his friend's face for help ...
Contents
Acknowledgements iii | 11 |
Narcissus Called to Account | 18 |
Old Age | 44 |
Copyright | |
8 other sections not shown
Common terms and phrases
appears associated Australian Barbauld beauty become beginning Book called century claims close Coleridge continues Corinne Criticism culture death detail early edition Eliot England English evidence example eyes face fact figure George give hand human Imagination interest Italian Italy John Jonson Keats Keats's kind King knowledge language later Lear letter libels light lines literary Literature live London look Lost Maggie meaning mind moral narrative nature never Notes novel opening Oxford Paradise play poem poet poetry political popular present published reading reference relation rhetoric Rogers role romantic Romeo satire scene seems sense Shakespeare Silas social sonnet sources stage story Studies suggests Swift Sydney things thought tradition trees triumph truth turns University Verona verse voice Volpone woman women writing young youth