An Abridgment of Lectures on RhetoricThomas Carey, 1818 - 300 pages |
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Page 4
... Beauty and other Pleasures of Taste Origin and Progress of Language Rise and Progress of Language and of Writing Structure of Language Structure of Language . English Tongue . 64 15 25 35 44 52 58 • 63 Style . Perspicuity and Precision ...
... Beauty and other Pleasures of Taste Origin and Progress of Language Rise and Progress of Language and of Writing Structure of Language Structure of Language . English Tongue . 64 15 25 35 44 52 58 • 63 Style . Perspicuity and Precision ...
Page 11
... beauty of one kind or other ; of what is orderly , proportioned , grand , harmoni- ous , new , or sprightly . Nor does there prevail less generally a disrelish of whatever is gross , disproportioned , disorderly , and discordant . In ...
... beauty of one kind or other ; of what is orderly , proportioned , grand , harmoni- ous , new , or sprightly . Nor does there prevail less generally a disrelish of whatever is gross , disproportioned , disorderly , and discordant . In ...
Page 12
... beauty is no less essential to man , than to possess the attributes of speech and reason . Though no human being can be entirely de- void of this faculty , yet it is possessed in very different degrees . In some men only faint ...
... beauty is no less essential to man , than to possess the attributes of speech and reason . Though no human being can be entirely de- void of this faculty , yet it is possessed in very different degrees . In some men only faint ...
Page 13
Hugh Blair. considered , as a power compounded of natural sensibility to beauty , and of improved under- standing . To be satisfied of this , we may ob- serve , that the greater part of the productions of genius are no other than ...
Hugh Blair. considered , as a power compounded of natural sensibility to beauty , and of improved under- standing . To be satisfied of this , we may ob- serve , that the greater part of the productions of genius are no other than ...
Page 16
... beauty in works of genius . Criticism is an art , founded entirely on ex- perience ; on the observation of such beauties , as have been found to please mankind most generally . For example , Aristotle's rules con- cerning the unity of ...
... beauty in works of genius . Criticism is an art , founded entirely on ex- perience ; on the observation of such beauties , as have been found to please mankind most generally . For example , Aristotle's rules con- cerning the unity of ...
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Common terms and phrases
action admit affectation agreeable ancient appear arguments atheism attention beauty blank verse characters Cicero circumstances comedy composition concise connected degree Demosthenes dignity discourse distinction distinguished elegant eloquence emotion employed Eneid English epic poem epic poetry excel excite exhibit expression fancy figure frequently genius give grace Greek guage hearers heart Hence Henriade Homer human ideas Iliad imagination imitation instance Jane Shore jects kind language Livy Lucan Lusiad lyric poetry manner ment metaphor Milton mind modern moral motion narration nature never object observed orator ornament painting Paradise Lost passion pastoral pathetic pause peculiar perspicuity Pharsalia pleasing pleasures poet poetical poetry proper propriety public speaking render requisite resemblance ridicule rule scene sense sensibility sentence sentiments simplicity sion Sophocles sound speaker species speech spirit strength strong style sublime syllable Tacitus taste thing thought Thucydides tion tragedy unity variety verse Virgil voice words writing
Popular passages
Page 232 - Then shall the lame man leap as an hart, and the tongue of the dumb sing: for in the wilderness shall waters break out, and streams in the desert. And the parched ground shall become a pool, and the thirsty land springs of water: in the habitation of dragons, where each lay, shall be grass with reeds and rushes.
Page 106 - Me miserable ! which way shall I fly Infinite wrath, and infinite despair? Which way I fly is Hell; myself am Hell; And, in the lowest deep, a lower deep Still threatening to devour me opens wide, To which the Hell I suffer seems a Heaven.
Page 228 - Swinging slow with sullen roar ; Or, if the air will not permit, Some still, removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom...
Page 27 - He made darkness his secret place; his pavilion round about him were dark waters and thick clouds of the skies.
Page 31 - Less than archangel ruined, and the excess Of glory obscured ; as when the sun, new risen, Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Page 134 - We cannot indeed have a single image in the fancy that did not make its first entrance through the sight; but we have the power of retaining, altering, and compounding those images which we have once received, into all the varieties of picture and vision...
Page 230 - O SING unto the Lord a new song: sing unto the Lord, all the earth.
Page 233 - The mountains saw thee, and they trembled : the overflowing of the water passed by : the deep uttered his voice, and lifted up his hands on high.
Page 116 - God is not a man that he should lie; nor the son of man, that he should repent...
Page 229 - But, first, whom shall we send In search of this new world? whom shall we find Sufficient? who shall tempt with wandering feet The dark, unbottom'd, infinite abyss, And through the palpable obscure find out His uncouth way?