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doubtedly, in some respects. But if we possessed full information concerning those who shared his early hardships, we should probably find, that what we call his singularities of manner, were, for the most part, failings which he had in common with the class to which he belonged. He ate at Streatham Park as he had been used to eat behind the screen at St. John's Gate, when he was ashamed to show his ragged clothes. He ate as it was natural that a man should eat who, during a great part of his life, had passed the morning in doubt whether he should have food for the afternoon. The habits of his early life had accustomed him to bear privation with fortitude, but not to taste pleasure with moderation. He could fast: but when he did not fast, he tore his dinner like a famished wolf, with the veins swelling on his forehead, and the perspiration running down his cheeks. He scarcely ever took wine. But when he drank it, he drank it greedily, and in large tumblers. These were, in fact, mitigated symptoms of that same moral disease, which raged with such deadly malignity in his friends Savage and Boyce. The roughness and violence which he showed in society were to be expected from a man whose temper, not naturally gentle, had been long tried by the bitterest calamities-by the want of meat, of fire, and of clothes; by the importunity of creditors, by the insolence of booksellers, by the derision of fools, by the insincerity of patrons, by that bread which is the bitterest of all food, by those stairs which are the most toilsome of all paths, by that deferred hope which makes the heart sick. Through all these things the

ill-dressed, coarse, ungainly pedant had struggled manfully up to eminence and command. It was natural, that, in the exercise of his power, he should be "eo immitior, quia toleraverat"-that though his heart was undoubtedly generous and humane, his demeanor in society should be harsh and despotic. For severe distress he had sympathy, and not only sympathy, but munificent relief. But for the suffering which a harsh word inflicts upon a delicate mind, he had no pity; for it was a kind of suffering which he could scarcely conceive. He would carry home on his shoulders a sick and starving girl from the streets. He turned his house into a place of refuge for a crowd of wretched old creatures who could find no other asylum; nor could all their peevishness and ingratitude weary out his benevolence. But the pangs of wounded vanity seemed to him ridiculous; and he scarcely felt sufficient compassion even for the pangs of wounded affection. He had seen and felt so much of sharp misery, that he was not affected by paltry vexations; and he seemed to think that everybody ought to be as much hardened to those vexations as himself. He was angry with Boswell for complaining of a headache; with Mrs. Thrale for grumbling about the dust on the road, or the smell of the kitchon. These were, in his phrase, "foppish lamentations," which people ought to be ashamed to utter in a world so full of misery. Goldsmith crying because the Good-natured Man had failed, inspired him with no pity.. Though his own health was not good, he detested and despised valetudinarians. Even great pecuniary losses, unless they reduced the loser absolutely

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to beggary, moved him very little. People whose hearts had been softened by prosperity might cry, he said, for such events; but all that could be expected of a plain man was not to laugh.

The characteristic peculiarity of his intellect was the union of great powers with low prejudices. If we judged of him by the best parts of his mind, we should place him almost as high as he was placed by the idolatry of Boswell; if by the worst parts of his mind, we should place him even below Boswell himself. Where he was not under the influence of some strange scruple, or some domineering passion, which prevented him from boldly and fairly investigating a subject, he was a wary and acute reasoner, a little too much inclined to skepticism, and a little too fond of paradox. No man was less likely to be imposed upon by fallacies in argument, or by exaggerated statements of fact. But if, while he was beating down sophisms, and exposing false testimony, some childish prejudices, such as would excite laughter in a well-managed nursery, came across him, he was smitten as if by enchantment. His mind dwindled away under the spell from gigantic elevation to dwarfish littleness. Those who had lately been admiring its amplitude and its force, were now as much astonished at its strange narrowness and feebleness, as the fisherman, in the Arabian tale, when he saw the genie, whose statue had overshadowed the whole seacoast, and whose might seemed equal to a contest with armies, contract himself to the dimensions of his small prison, and lie there the helpless slave of the charm of Solomon. What a singular destiny has been that of this re

markable man! To be regarded in his own age as a classic, and in ours as a companion-to receive from his contemporaries that full homage which men of genius have in general received only from posterity—to be more intimately known to posterity than other men are known to their contempora ries! That kind of fame which is commonly the most transient, is, in this case, the most durable. The reputation of those writings, which he probably expected to be immortal, is every day fading; while those peculiarities of manner, and that careless table-talk, the memory of which, he probably thought, would die with him, are likely to be remembered as long as the English language is spoken in any quarter of the globe.

EARL CHATHAM.

The truth is, that there scarcely ever lived a person who had so little claim to this sort of praise as Pitt. He was undoubtedly a great man. But his was not a complete and well-proportioned greatness. The public life of Hampden, or of Somers, resembles a regular drama, which can be criticised as a whole, and every scene of which is to be viewed in connection with the main action. The public life of Pitt, on the other hand, is a rude though striking piece-a piece abounding in incongruities-a piece without any unity of plan, but redeemed by some noble passages, the effect of which is increased by the tameness or extravagance of what precedes, and of what follows. His opinions were unfixed. His conduct at some of the most

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important conjunctures of his life was evidently determined by pride and resentment. He had one fault, which of all human faults is most rarely found in company with true greatness. He was extremely affected. He was an almost solitary instance of a man of real genius, and of a brave, lofty, and commanding spirit, without simplicity of character. He was an actor in the closet, an actor at Council, an actor in Parliament; and even in private society he could not lay aside his theatrical tones and attitudes. We know that one of the most distinguished of his partisans often complained that he could never obtain admittance to Lord Chatham's room till everything was ready for the representation, till the dresses and properties were all correctly dispcsed, till the light was thrown with Rembrandt-like effect on the head of the illustrious performer, till the flannels had been arranged with the air of a Grecian drapery, and the crutch placed as gracefully as that of Belisarius or Lear.

Yet, with all his faults and affectations, Pitt had, in a very extraordinary degree, many of the elements of greatness. He had splendid talents, strong passions, quick sensibility, and vehement enthusiasm for the grand and the beautiful. There was something about him which ennobled tergiversation itself. He often went wrong, very wrong. But to quote the language of Wordsworth,

"He still retained,

'Mid such abasement, what he had received
From nature, an intense and glowing mind."

In an age of low and dirty prostitution-in the

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