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And may the time draw nearer still
When men this sacred truth shall heed,
That from the thought and from the will
Must all that raises man proceed!
Though Pride should hold our calling low,
For us shall duty make it good;
And we from truth to truth shall go,

Till life and death are understood.

CHAPTER VIII.

ON UNION WITH GOD IN THE REDEMPTION OF THE ARTS AND

LITERATURE.

Of the

Of the necessity of a divine guidance in art and literature. early opinions among men on this subject. Of union with God in the mechanic and other subordinate arts. — Of union with God in the fine arts. Illustrated from the paintings of Raphael. The subject pursued in its relations to history and poetry. Its application to seminaries of learning.-Reference to a pious teacher.Concluding Remarks.

If God is man's great teacher, as we have seen in a former part of this work, then, in his efforts in acquiring knowledge, he will be likely to go astray and to seek out hurtful "inventions," so far as he does not accept a divine guidance. It is, therefore, not too much to say, that the Holy Ghost, the inward teacher sent down from heaven, both ought to be, and that he is designed to be, the great master in art and literature. And it is worthy of notice, that heathen nations, who everywhere give evidence that they have some glimpses of the truth, agree in ascribing the early inventions in art, and the early works in poetry and music, either to a divine agency or to human agency aided by divine. According to the mythology of the Greeks, it required the skill of Mercury to invent the lyre; and there could neither be poetry nor music without the aid of Apollo and the

Ecclesiastes 7: 29.

muses. Accordingly, the great poets of the Greeks and Romans frequently begin their works by a distinct recognition of their dependence upon a higher power, who gave inspiration to their thoughts. And it is worthy of notice that Livy, in the commencement of his work on Roman history, (certainly in many of its attributes one of the most perfect and interesting works of that kind,) proposes to his readers, that they should imitate the custom of the poets, and commence their undertaking by supplicating the presence and aid of the gods.

2. But it is needless to recapitulate instances. The idea that a higher power was needed in the development of all good things, was so universal in the early periods of the human race, that it might well be called an instinct of man's nature. The ideas which men then entertained of God, were oftentimes very imperfect, and perhaps generally so; but, whatever they might conceive him to be, they had a conviction, which was entitled to higher and better practical results, that he was the true source of all good. Mr. Dryden has alluded to this early conviction in some happy lines:

"When Jubal struck the chorded shell,

His listening brethren stood around,

And wondering, on their faces fell,

To worship that celestial sound.

Less than a God they thought there could not dwell

Within the hollow of that shell,

Which spoke so sweetly and so well.”

3. Readily, and with entire strength of conviction, do we yield our assent to the great truth, which is thus imperfectly indicated in benighted times and by the dim light of nature, while it is clearly asserted and illustrated in the Scriptures. All poetry, all music, all painting, all

statuary and architecture, all wisdom in legislation, all useful mechanic invention, everything whatever, which has in it the elements of living truth and beauty, implies the fact, as it seems to us, of the presence and aid of a divine power. At any rate, so far as these things, or things of a kindred nature, are done or attempted to be done without divine aid, so far they are attended with imperfection. And so far as they are imperfect, and could be carried into effect otherwise and better than they are, so far they stand in need of redemption; -a redemption, which comes to them through the mediation of Jesus Christ, as truly as redemption comes in any other form from that source.

Believing, therefore, that the work of redemption and restoration extends to all things, and that no art or work of man can be carried to its highest and most beneficial results without God's presence, we proceed now to illustrate the union of God with man in the redemption and perfection of the arts and literature.

And, in doing this, we shall first refer briefly to those arts which, though very useful and necessary, are generally regarded as comparatively low in rank. Our view is, that the divine presence and aid are necessary in the development and application of all such arts, however humble they may be thought to be. The art of agriculture, the mechanic arts, the arts connected with domestic life, all of them not only admit, but require, the union of the divine with the human, in order to secure their perfection and their proper use. We do not hesitate to say, that the man who holds the plough, the man who lifts his arm of toil in the workshop, can do it usefully and happily, only so far as he does it in connection with God. The true doctrine is, God in all things. God made the earth; - God sends the rains, that fertilize it. But

this is not all. It is equally true, whenever and wher ever the original harmony of things is reädjusted, that God guides the hand that guides the plough, and smites in the hand that smites the anvil. And the laborer and the artisan are not in true union with God, until they have dispositions which will lead them to pray and to believe that this may be the case.

4. And especially may this be said, because all arts and labors have relationships and influences beyond what is first presented to our notice. It is obvious, for instance, that God designs that the Gospel shall be preached in all lands. And this great and benevolent design as obviously involves the fact, that missionaries must be sent just as far and as widely as the Gospel is to be preached. And every one perceives that they cannot thus go from land to land, and over intermediate seas, without the aid of ships and other conveyances. Those, therefore, who build ships, and those who navigate them, and those who develop and perfect the principles and methods of navigation, are all in the natural line of divine coöperation; that is to say, they are doing a sort of work which God designs and wishes them to do. And if they will only add the spirit of union to the form of union, then they are actually in the state of union, so far as this particular thing is concerned, and will do just what they ought to do. And without the spirit of union, which leads them to look to God in everything, they will fail to do what they ought to do. God, dwelling in the soul, is just as necessary to make a good sailor as to make a good preacher.

God not only needs missionaries, who are to be sent abroad in ships; but he needs Bibles to be distributed by those missionaries. But Bibles must be printed; and they cannot be printed without printers to do the work.

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