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52

APPLAUSE-POPULARITY.

4. Who most to shun or hate mankind pretend,
Seek an admirer, or would fix a friend:
Abstract what others feel, what others think,
All pleasures sicken, and all glories sink.

POPE'S Essay on Man.

5. He spoke, and bow'd; with muttering jaws The wondering circle grinn'd applause.

6.

The noisy praise
Of giddy crowds is changeable as winds;
Still vehement, and still without a cause;
Servant to change, and blowing in the tide
Of swoln success; but veering with the ebb,
It leaves the channel dry.

GAY'S Fables.

his ear,

7. Some shout him, and some hang upon
To gaze in 's eyes and bless him. Maidens wave
Their 'kerchiefs, and old women weep for joy;
While others, not so satisfied, unhorse
The gilded equipage, and, turning loose
His steeds, usurp a place they well deserve.

DRYDEN.

COWPER'S Task.

8. Oh popular applause! what heart of man
Is proof against thy sweet, seducing charms?

9. In murmur'd pity, or loud-roar'd applause.

COWPER'S Task.

BYRON'S Childe Harold.

10. What if the popular breath should damn the sun
In his meridian glory?-dost thou think
His beams would fall less brightly?

DAWES' Athenia.

ARCHITECTURE, &c. - ARGUMENT, &c.

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ARCHITECTURE - BUILDING.

1. The princely dome, the column and the arch, The sculptur'd marble, and the breathing gold.

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Did not with curious skill a pile erect

Of carved marble, touch, or porphyry,
But built a house for hospitality;

No sumptuous chimney-piece of shining stone
Invites the stranger's eye to gaze upon,

And coldly entertain his sight; but clear

AKENSIDE.

CAREW.

And cheerful flames cherish and warm him here.

3. Windows and doors in nameless sculpture drest,
With order, symmetry, or taste unblest ;
Forms like some bedlam statuary's dream,
The craz'd creation of misguided whim.

4.

The high embower'd roof,
With antique pillars, massy proof,
And storied windows richly dight,

Casting a dim religious light.

1.

BURNS.

MILTON.

ARGUMENT-SOPHISTRY.

But this juggler

Would think to chain my judgment, as mine eyes,
Obtruding false rules prank'd in reason's garb.

MILTON'S Comus.

54

ARGUMENT - SOPHISTRY.

2. Enjoy thy gay wit and false rhetoric,

That hath so well been taught her dazzling fence;
Thou art not fit to hear thyself convinced.

3. Reproachful speech from either side
The want of argument supplied;
They rail'd, revil'd—as often ends
The contests of disputing friends.

4. Dogmatic jargon learnt by heart,

Trite sentences, hard terms of art,
To vulgar ears seems so profound,
They fancy learning in the sound.

5. He'd undertake to prove, by force
Of argument, a man's no horse;
He'd prove a buzzard is no fowl,
And that a lord may be an owl;
A calf an alderman, a goose a justice,
And rooks committee-men and trustees.

MILTON'S Comus.

GAY'S Fables.

GAY's Fables.

BUTLER'S Hudibras.

6. A man convinc'd against his will, Is of the same opinion still.

BUTLER'S Hudibras.

7. Now with fine phrase, and foppery of tongue, More graceful action, and a smoother tone, The orator of fable and fair face

Will steal on your brib'd hearts.

8. In subtle sophistry's laborious forge.

YOUNG.

9. False eloquence, like the prismatic glass,
Its gaudy colours spreads in every place;
The face of nature we no more survey,
All glares alike, without distinction gay:-

YOUNG.

But true expression, like th' unchanging sun,
Clears and improves whate'er it shines upon;
It gilds all objects, but it alters none.

POPE'S Essay on Criticism.

10. Who shall decide when doctors disagree,

And soundest casuists doubt, like you and me?

POPE'S Moral Essays.

11. Like doctors thus, when much dispute has past, We find our tenets just the same at last.

POPE'S Moral Essays.

12. But as some muskets do contrive it,
As oft to miss the mark they drive at,
And, though well-aim'd at duck or plover,
Bear wide, and kick their owners over,—
So fared our squire, whose reas'ning toil
Would often on himself recoil,
And so much injur'd more his side,

The stronger arguments he apply'd.

TRUMBULL'S M'Fingal.

13. The self-torturing sophist, wild Rousseau,
The apostate of affection-he, who threw
Enchantment over passion, and from woe
Wrung overwhelming eloquence.

14.

BYRON'S Childe Harold. He cast

O'er erring deeds and thoughts a heav'nly hue
Of words, like sunbeams, dazzling as they pass'd.

BYRON'S Childe Harold.

15. His speech was a fine sample, on the whole,
Of rhetoric, which the learn'd call "rigmarole."

16. With temper calm and mild,

And words of soften'd tone,

BYRON'S Don Juan.

He overthrows his neighbour's cause,
And justifies his own.

Vicksburg Whig.

56

ARTIFICE-CANDOUR.

17. With neat and rounded phrase

He tricks the shapeless thought;
Like hope of power, it charms to-day;
To-morrow, it is nought.

Vicksburg Whig.

1.

ARTIFICE- - CANDOUR.

Make my breast

Transparent as pure crystal, that the world,
Jealous of me, may see the foulest thought
My heart doth hold.

2. Shallow artifice begets suspicion,

3.

4.

5.

And, like a cobweb veil, but thinly shades
The face of thy design; alone disguising
What should have ne'er been seen.

Imperfect mischief!

BUCKINGHAM.

CONGREVE.

Thou, like the adder venomous and deaf,
Hast stung the traveller; and when thou think'st
To hide, the rustling leaves and bended grass
Confess and point the path which thou hast crept.
O, fate of fools! officious in contriving,

In executing, puzzled, lame, and lost.

You talk to me in parables;

CONGREVE.

You may have known that I'm no wordy man:
Fine speeches are the instruments of knaves,
Or fools, that use them when they want good sense.

Honesty

Needs no disguise nor ornament; be plain.

OTWAY.

OTWAY.

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