The Idler in Italy, Volume 1H. Colburn, 1839 |
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Page 13
... animation and scientific discoveries . De- lighted with himself , and grateful to all who seem to participate in his self - adoration , he is the most oblig- ing of all egotists ; and , what is rare , the least tire- some . " L'Empereur ...
... animation and scientific discoveries . De- lighted with himself , and grateful to all who seem to participate in his self - adoration , he is the most oblig- ing of all egotists ; and , what is rare , the least tire- some . " L'Empereur ...
Page 16
... animation of their countenances , elegance of their tournures , and smallness of their feet , are remarkable ; and , joined to a certain air dégagé , equally free from boldness as from awkwardness , render them extremely attractive . It ...
... animation of their countenances , elegance of their tournures , and smallness of their feet , are remarkable ; and , joined to a certain air dégagé , equally free from boldness as from awkwardness , render them extremely attractive . It ...
Page 17
... animated by a contact with some person who has pleased him : consequently , his compliments have a point , and , if I may use the ex- pression , an individuality , that convince her to whom they are addressed , that they could not have ...
... animated by a contact with some person who has pleased him : consequently , his compliments have a point , and , if I may use the ex- pression , an individuality , that convince her to whom they are addressed , that they could not have ...
Page 24
... the pencil of that great artist , is contrasted by the bold and vigorous pictures of Salvator Rosa , who painted only the stern and savage of animate and inanimate nature . There glows a Titian , with the warm 24 PARIS .
... the pencil of that great artist , is contrasted by the bold and vigorous pictures of Salvator Rosa , who painted only the stern and savage of animate and inanimate nature . There glows a Titian , with the warm 24 PARIS .
Page 55
... animation of their gesture , and their noisy mirth . A more disgusting scene I never beheld ; for the faces of the bathers bore as visible signs of impure blood , as the ribaldry of their conversation and songs afforded proof of impure ...
... animation of their gesture , and their noisy mirth . A more disgusting scene I never beheld ; for the faces of the bathers bore as visible signs of impure blood , as the ribaldry of their conversation and songs afforded proof of impure ...
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acquaintance admiration agreeable Allobroges amusing ancient animation antiquity appearance arch attraction Avignon beautiful behold brilliant building carriage celebrated charm château church Colombe colours commands Comte D'Hautpoul countenance Countess Guiccioli decoration delight dine dinner display dressed effect England English erected excited eyes feelings flowers formed France Frejus French friends gardens Gauls Genoa give grotto heart honour hues imagination indulge inhabitants interesting Julius Cæsar ladies leaving less look Lord Byron luxuriant Madame Mameluke marble Marseilles melancholy memory ment mind Mont de Piété mountains Napoleon nature never ornamented palace Paris passed Paul Veronese peculiar person Petrarch picture picturesque pleasure possess present rare reflect remarkable rendered residence Rhône rich road rocks Roman route ruins scene scenery seemed seen side soldiers specimens spot statues streets taste thermæ tion to-day town trees vanity Vaucluse Vienne Voltaire women
Popular passages
Page 28 - I see before me the Gladiator lie : He leans upon his hand — his manly brow Consents to death, but conquers agony ; And his droop'd head sinks gradually low ; And through his side the last drops, ebbing slow From the red gash, fall heavy, one by one, Like the first of a thunder shower ; and now The arena swims around him — he is gone, Ere ceased the inhuman shout which hail'd the wretch who won.
Page 49 - After laying down my pen, I took several turns in a berceau, or covered walk of acacias, which commands a prospect of the country, the lake, and the mountains. The air was temperate, the sky was serene, the silver orb of the moon was reflected from the waters, and all nature was silent.
Page 49 - It was on the day, or rather night, of the 27th of June 1787, between the hours of 11 and 12, that I wrote the last lines of the last page in a summer-house in my garden. After laying down my pen, I took several turns in a berceau, or covered walk of acacias, which commands a prospect of the country, the lake, and the mountains.
Page 28 - He reck'd not of the life he lost nor prize, But where his rude hut by the Danube lay, There were his young barbarians all at play, There was their Dacian mother— he, their sire, Butcher'd to make a Roman holiday— All this rush'd with his blood— Shall he expire And unavenged?
Page 28 - He heard it, but he heeded not — his eyes Were with his heart, and that was far away. He reck'd not of the life he lost, nor prize, But where his rude hut by the Danube lay, There were his young barbarians all at play, There was their Dacian mother — he their sire, Butcher'd to make a Roman holiday.
Page 31 - The learned SMELFUNGUS travelled from Boulogne to Paris from Paris to Rome and so on but he set out with the spleen and jaundice, and every object he pass'd by was discoloured or distorted He wrote an account of them, but 'twas nothing but the account of his miserable feelings.
Page 288 - Why do those cliffs of shadowy tint appear More sweet than all the landscape smiling near ?Tis distance lends enchantment to the view, And robes the mountain in its azure hue.
Page 49 - I took several turns in a berceau or covered walk of acacias which commands a prospect of the country, the lake and the mountains. The air was temperate, the sky was serene: the silver orb of the moon was reflected from the waters, and all Nature was silent. I will not dissemble the first emotions of joy on the recovery of my freedom, and perhaps the establishment of my fame. But my pride was soon humbled, and a sober melancholy was spread over my mind by the idea that I had taken my everlasting...
Page 139 - La vita fugge e non s' arresta un' ora; E la morte vien dietro a gran giornate; E le cose presenti e le passate Mi danno guerra, e le future ancora; E '1 rimembrar e 1' aspettar m' accora Or quinci or quindi sì, che 'n veritate, Se non eh' i' ho di me stesso pietate, I' sarei già di questi pensier fora.
Page 286 - Byron requested to be presented to me ; which led to Lord Blessington's avowing that I was in the carriage at the gate, with my sister. Byron immediately hurried out into the court, and I, who heard the sound of steps, looked through the gate, and beheld him approaching quickly towards the carriage without his hat, and considerably in advance of the other two gentlemen.