Making Shakespeare: From Stage to Page

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Making Shakespeare is a lively introduction to the major issues of the stage and print history, whilst also raising questions about what a Shakespeare play actually is. Tiffany Stern reveals how London, the theatre, the actors and the way in which the plays were written and printed all affect the 'Shakespeare' that we now read. Concentrating on the instability and fluidity of Shakespeare's texts, her book discusses what happened to a manuscript between its first composition, its performance on stage and its printing, and identifies traces of the production system in the plays we read. She argues that the versions of Shakespeare that have come down to us have inevitably been formed by the contexts from which they emerged; being shaped by, for example, the way actors received and responded to their lines, the props and music used in the theatre, or the continual revision of plays by the playhouses and printers. Allowing a fuller understanding of the texts we read and perform, Making Shakespeare is the perfect introduction to issues of stage and page. A refreshingly clear, accessible read, this book will allow even those with no expert knowledge to begin to contextualize Shakespeare's plays for themselves, in ways both old and new.


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User Review  - BookJumper - LibraryThing

Good, succict, to-the-point introduction to the practical ins and outs of publishing in Shakespeare's time and their relation to the instability of his texts. Between a playwright and his play in ... Read full review


Text Playhouse and London
Additions Emendations and Revisions
Rehearsal Performance and Plays
Props Music and Stage Directions
Prologues Songs and Actors Parts
From Stage to Printing House
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