The Plays of William Shakspeare: With the Corrections and Illustrations of Various Commentators, to which are Added Notes, Volume 1J. Johnson, 1803 |
From inside the book
Results 1-5 of 28
Page 2
... inftance at least ) established his claim to the title of " a moft abominable imitator of humanity . " Mr. Fufeli has pronounced , that the Portrait described in the Propofals of Mr. Richardfon , was the work of a Flemish hand . It may ...
... inftance at least ) established his claim to the title of " a moft abominable imitator of humanity . " Mr. Fufeli has pronounced , that the Portrait described in the Propofals of Mr. Richardfon , was the work of a Flemish hand . It may ...
Page 5
... inftance , he has fervilely transferred the features of Shakspeare from the painting to the copper , omitting every trait of the mild and benevolent character which his portrait fo decidedly affords . - There are , indeed , juft fuch ...
... inftance , he has fervilely transferred the features of Shakspeare from the painting to the copper , omitting every trait of the mild and benevolent character which his portrait fo decidedly affords . - There are , indeed , juft fuch ...
Page 16
... inftance ; but while he corrected Droefhout's ruff , he has been led by him to defert his original in an unauthorised expansion of our author's forehead . SUPPLEMENT TO THE PROPOSALS OF MR . RICHARDSON . WHEN 16 MR . RICHARDSON'S PROPOSALS ...
... inftance ; but while he corrected Droefhout's ruff , he has been led by him to defert his original in an unauthorised expansion of our author's forehead . SUPPLEMENT TO THE PROPOSALS OF MR . RICHARDSON . WHEN 16 MR . RICHARDSON'S PROPOSALS ...
Page 19
... inftance , ) whether a painting was coldly imitated from a lumpish copper - plate , or taken warm from animated nature . For the difcuffion of fubjects like thefe , an eye habituated to minute comparison , and attentive to peculiarities ...
... inftance , ) whether a painting was coldly imitated from a lumpish copper - plate , or taken warm from animated nature . For the difcuffion of fubjects like thefe , an eye habituated to minute comparison , and attentive to peculiarities ...
Page 20
... inftance , direct the judgment of his Lordship and Mr. Pope ? or did their joint opinion over - rule that of the artist ? These portraits , being wholly unlike each other , could not ( were the flightest degree of refpect due to either ...
... inftance , direct the judgment of his Lordship and Mr. Pope ? or did their joint opinion over - rule that of the artist ? These portraits , being wholly unlike each other , could not ( were the flightest degree of refpect due to either ...
Contents
119 | |
120 | |
122 | |
132 | |
139 | |
146 | |
148 | |
150 | |
152 | |
163 | |
174 | |
179 | |
222 | |
387 | |
391 | |
396 | |
404 | |
405 | |
417 | |
424 | |
435 | |
444 | |
452 | |
469 | |
486 | |
501 | |
Other editions - View all
Common terms and phrases
againſt alfo almoſt alſo ancient appears baptized becauſe beſt cenfure comedy confiderable copies criticiſm criticks daughter defign defire difcovered dramatick edition editor Engliſh engraving faid fame fatire fays fecond folio feems fenfe feveral fhall fhould fhow fince firft firſt fome fometimes ftage ftand ftill fubject fuch fufficient fuppofe fure Hart hath Henry Henry VI hiftory himſelf houſe iffue impreffion inferted inftance inftead John John Barnard Jonfon juft King laft laſt leaft leaſt lefs MALONE moft moſt muft muſt neceffary obfcure obferved occafion Othello paffages perfon players plays pleaſe pleaſure poet poet's Pope portrait praiſe prefent printed profe publick publiſhed quarto reader reafon refpect reft reftore Regifter reſemblance Richard III Romeo and Juliet ſcene ſeems Shak Shakspeare Shakspeare's ſtage ſtate STEEVENS Stratford Stratford-upon-Avon thefe themſelves theſe thofe Thomas Thomas Quiney thoſe thought tion Titus Andronicus tragedy uſe whofe William writer