William Wordsworth's The Prelude: A CasebookStephen Gill OUP USA, 2006 M08 31 - 406 pages William Wordsworth's long poem The Prelude is a fascinating work-as autobiography, the fruit of many attempts at understanding the formative period of Wordsworth's life; as a fragment of historical evidence from the revolutionary and post-revolutionary years; as an unstable literary text, which mutated through at least five discernable versions from 1799-1839; and as a poem offering the pleasures of blank verse in a variety and to an intensity unmatched in English non-dramatic poetry. In this collection, leading Wordsworth scholar Stephen Gill, gathers together thirteen influential essays on The Prelude. The volume as a whole is a useful and inspiring companion for students and general readers of Wordsworth's greatest, but most demanding poem. |
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Page viii
... gravil A Transformed Revolution: The Prelude, Books 9–13 341 alan liu A Language That Is Ever Green 377 jonathan bate Suggested Reading 403 William Wordsworth's The Prelude A CASEBOOK Wordsworth has transformed the viii Contents.
... gravil A Transformed Revolution: The Prelude, Books 9–13 341 alan liu A Language That Is Ever Green 377 jonathan bate Suggested Reading 403 William Wordsworth's The Prelude A CASEBOOK Wordsworth has transformed the viii Contents.
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Contents
Introduction | 3 |
A Pure Organic Pleasure from the Lines | 43 |
Wordsworths Drowned Man | 73 |
The Lyric Voice of The Prelude | 123 |
Coleridges Presence in The Prelude | 147 |
The Via Naturaliter Negativa | 181 |
Wordsworths Long Journey Home | 209 |
The Image of a Mighty Mind 1805 Book 13 | 225 |
Simplon Pass to Mount Snowdon | 259 |
William Wordsworths Prelude | 293 |
Wordsworth and the Conception of The Prelude | 305 |
Wordsworth in The Prelude | 321 |
The Prelude Books 913 | 341 |
A Language That Is Ever Green | 377 |
Suggested Reading | 403 |
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Common terms and phrases
appears authority autobiography beauty becomes beginning Borderers called Christian claim close Coleridge Coleridge’s comes continues course Critical death drowning earlier early earth edition effect episode essay existence experience fact fear feelings figure final follow France gives heart hope human imagination implications important kind landscape language later less Letters light lines living London look Lost lyric means memory Milton mind mountain moving narrative nature never Norton notes once opening original Oxford passage past pastoral poem poet poet’s poetic poetry political possible Prelude present question readers reading reference relation revision rhetorical river Romantic scene seems seen sense shape Snowdon soul sound speak spirit stage stand story stream sublime suggest things thought tradition turn University Press verse vision voice whole Wordsworth worth writing