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useful. I think, also, that the pin of the cock, by being exposed in one place to hot water and in another to cold, would not remain long tight. It would be easy to have the supplying head of water equal in altitude to that in the boiler; in which case, the areas of both passages would be equal, provided the water in both was of the same temperature, and that the conducting pipes were both of equal length: but, as they could not be so, two correctors would be necessary, one for temperature and the other for friction. All this it would be next to impossible to have done practically; moreover, sediment would deposit in the hot tube, and not in the cold one: so that, even if right at first, they would soon become wrong. — Robert Mallet. Dublin, Aug., 1834.

ART. V. Queries and Answers.

NEW Exchange, Glasgow. A correspondent enquires whether we can give any account of the new Exchange at Glasgow, which is reported to be ar superior to any other structure of the kind in this country. We should feel obliged by the communication of some particulars respecting so important a structure. - L.

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Towel Stands. In reply to your querist (p. 96.), I would suggest, as in my opinion preferable to what he proposes, two brackets similar to fig. 206., 206 which may be of cast iron or of wood, carved or plain, and screwed to the side of the wash-hand stand, with a bar either turned or plain fixed between them. This would be ornamental rather than otherwise to the stand, and it would not be inconvenient to place the towel upon: if two sets could be fixed, they would have the appearance of handles, where an angular stand was used: if it should be more convenient, these brackets might be affixed to the side of a chest of drawers, or against any part of the wall.-Z.

The River Wall at Woolwich Dock. (p. 42.) I was led, by your query respecting this wall, to make a call at Woolwich Dockyard to inspect it, and I was much gratified with what I saw. Being so fortunate as to meet, on the wharf, with Mr. Ranger's superintendent (whose name I forget), I am enabled by his intelligent description to offer the following particulars of this truly national invention; or rather revival of an ancient mode of building, as many of our beautiful ecclesiastical as well as domestic and castellated remains bear a very close resemblance to Mr. Ranger's patent stone. The river wall at Woolwich, my informant says, is about 250 ft. long, and 28 ft. high, and breasting back 4 ft. from the plane of its base: it was erected in the early part of the year, and carried on at low water, the men working until the tide flowed and obliged them to leave off until the tide fell again, which, however my informant asserted, consolidated and hardened the work. The wall is now finished (June 24.), and makes a most excellent wharf wall, resembling granite, with bold horizontal joints, and perfectly sound, though no expense was incurred by piling for foundation, or by any other expensive measures usual on these works. The customary work of the wharf was not retarded during its erection, except at the point where the work was then carrying on. Upon the whole, I think it worth a journey to the amateur as well as the civil engineer, in whose department it must become a most important invention. I was also obliged by a description of a new dock in progress, which is building of the same material, but which I had not time to inspect. As soon as it is finished, which will be shortly, I shall take a scientific friend with me, and, if it appear worth a place in your valuable work, I shall endeavour to send you a more scientific description of it. I am informed that Mr. Ranger has erected a beautiful building, as a specimen of his material, at Sir H. Taylor's, in the Regent's Park, in the early English style; also a guard-house in the Birdcage Walk, in the Grecian style, and another structure, showing a great alteration in street architecture, opposite the National Gallery, Pall-Mall.

These specimens I have not seen, but perhaps some of your numerous readers may oblige us with a description of them.. Charles Manners. Woolwich Common, July 14. 1834.

Which is the best Method of keeping a Dairy cool, or could not a draught be created in some way through it? That which I particularly have in view stands above ground, detached from any other building, and is about 10 ft. square; but, although it has a flat roof forming a cistern to contain water, it acquires such a degree of warmth, as to render it unfit for the purposes for which it was intended: perhaps some of my fellow-readers can assist me on the subject. Sam. Ap-Evan. Neath, Glamorganshire, Sept. 22. 1834.

An Apparatus for cleaning the Outsides of lofty Windows is thus described by our correspondent G. B. W.:-I have supposed the window tobe

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8 ft. high, and 3 ft. 6 in. from the floor. Fig. 207. is a section, and fig. 208. the internal elevation of the window, &c. a a, two stout standards, about 6 ft. 6 in. high, with two cross pieces bb securely screwed to them, and going across the window opening, to keep them firm, and two pieces c c notched into them: d d are two bearers, supported at the one end by the struts e e, which abut against the wood and stone sills, and at the other by the pieces c c; and screwed to the standards: ffare light standards of iron let into the ends of the bearers and the cross piece g, and screwed to them by nuts. A rope might go across the tops of these standards, and another crosswise, as shown by the dotted lines in fig. 208. For fear of their giving way outwards, a rope might be passed from their tops, through a ring on the top of the bearers, to the cross piece b, as shown in fig. 207. I have made this platform to project 2 ft. from the line of the sash frame; and the space afforded between the iron standard and the sash would be about 1 ft. 8 in., which I should think enough for a person to stand upon; but that, of course, is optional. A piece of Ĭ in. deal plank (11 in. wide) laid across the bearers, and, perhaps, screwed down to them, would complete the apparatus. The struts should be either tied or screwed to the bearers, and a cross piece put between them at the lower end to keep them in their places. I should think this would answer the purpose required. It might be easily taken to pieces or put up; and the expense of the materials would be very trifling. — G. B. W. London, Sept. 19. 1834.

GLOSSARIAL INDEX.

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Astragal, 109; a fillet moulding with a rounded
edge.

Batten floors, 168; floors laid with narrow boards
13 in. thick.

Battened walls, see p. 171.
Beveled, 125; sloped off.

Blasting rocks, 93; splitting them into fragments
by means of gunpowder.

Bond stones, 194; stones running through a wall
at right angles with its face, in order to bind it
together.

Borrshane, 372; a basket made of palm leaves,
used by the Egyptians in brickmaking.
Boxed in, 74; filled up compactly."

Brick nogging, 37; a framework of timber filled
in with brick.

Butt hinges, 83; hinges, which, when expanded, |
form a square.

Calorifère, 176; apparatus for heating by hot
water, described at length, p. 359.

Cap of a chimney, 64: the upper and projecting
part of the shaft.

Capotum, 269; a kind of Hindú torus moulding,
with an ornament resembling a pigeon's head
at its termination.

Castrametation, 148; camp-making, or the science
of forming camps.

Cavetto, 111; a species of moulding, see fig. 45.,
p. 110.

Cella, 265; the part enclosed by walls, of a Gre-
cian temple.

Check-plate, 126; the piece of wood in the lintel
of a doorway, against which the door shuts.
Chevron mouldings, 292; indented mouldings in
the Anglo-Norman style.

Chimney shafts, 118; the part of a chimney which
rises above the roof.

Chunam, 315; an Indian cement or plaster.
Cincture, 32; a ring or fillet serving to divide the
shaft of a column from its capital and base.
Clamps, 178; a quantity of bricks piled up for
burning, but not enclosed in a kiln.
Clere-story, 290; the centre in a church, when it
rises above the two aisles.
Clere-story windows, 331; windows in the clere.
story of a church.

Clinker bricks, 238; small bricks burnt very hard.
Coins, 210; corners.

Concrete, 35; a mixture of clean gravel and quick-
lime.

Congee, 112; a species of moulding, see fig. 51.
Corbel heads, 345; the extremities of corbel
stones, often carved.

Corbeled, 82; one stone projecting over another
to support a superincumbent stone.
Corona, 109; the crowning member of the entab.
lature, see e, in fig. 10.
Corrugated, 72; wavy or fluted.

Crabs, 198; machines for being attached to and
raising heavy weights.

Crowsteps, 6; the coping stones of a gable rising
one above another, like steps.
Crypt, 96; a vault.

Cumuda, 268; a kind of Hindú circular moulding.

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Curbed, 39; contracted towards the ceiling by

being carried up into the roof.

Cusps, 345; points formed in the upper corners of
the window by uniting the two curves.
Cyclopian walls, 81; walls built with landstones
heaped on each other without mortar.
Cyma recta, a species of moulding, see fig. 46. p. 110.
Cyma reversa, 111; a species of moulding, see
fig. 50.

Cyma talon, 111; a species of moulding, see fig. 47.
Dado, 156; the flat side of a pedestal between the
plinth and the cornice; applied also to the
space between the skirting and the chairs' back
moulding in rooms.

Deals, 83; deal boards sawn to a proper thickness
for use.

Dormer windows, 184; windows in a roof.
Dove-tailed groove and tenon, 80; two pieces of
wood joined by one piece being cut into a par-
ticular shape, and the other cut out or hollowed
out to receive it.

Doweled floors, 168; explained at length in p. 319.
Dressings to windows, 297; mouldings, or rather
architectural lines and forms surrounding win-
dows, so as to prevent them from being "mere
holes in a wall."

Echinus, 111; a species of moulding, see fig. 49.
Engaged columns, 117; columns attached to a
wall, and projecting from it half or three quar-
ters of their diameters.

Entablature, 115; the horizontal mass placed on
Grecian columns: it consists of three parts
the architrave, the frieze, and the cornice.
Epistylium, 24; architrave.
Façade, the principal face, front, or elevation of
any building.

Fascia, 112; the face or principal member of the
architrave.

Feuars, 113; persons renting land for building on
in Scotland, on very long leases, generally of
999 years.

Fillet, 109; a small square or flat moulding.
Finial, 238; a pointed ornament terminating a
gable.

Fire bricks, 74; bricks made of a particular kind
of clay not easily fused by fire.
Flanches, 41; projecting edges in iron work,
generally curved, for the purpose of uniting
and strengthening the parts to which they are
applied.

Flashings, or Flushings, of lead, 36; strips of lead
covering joints.

Fly wire, 306; wirecloth, or toile métallique, for
putting in windows to admit the air, while it
excludes the flies.

Folding floors, see an explanation at length, 319.
Footings, 209; the lower courses of a foundation.
Frets and guilloches, 256; frets are ornaments
composed of a series of small straight fillets,
and guilloches of a series of curved fillets.
Frieze, 109; see b, in fig. 10. p. 25.
Frustum of a pyramid, 192; the lower part, the
upper having been cut off horizontally.
Geometrical drawing, 215; a drawing to a scale,
as opposed to one in perspective.
Girders, 177; the principal beams for supporting
the binding joists.

Greek cross, 133; a rectangular cross, the limbs
of which are all equal.

Groined roof, 342; groins are lines formed at the
intersection of two arches which cross each
other.

Haunches of an arch, 140; the part behind the
springing of the arch.

Headers, 125; bricks placed so as to have their
heads to the surface of the wall.
Intercolumniation, 138; the distance between the
columns of any building.

Jamb, 343; the side pieces of any opening in a
wall, which bear the piece that supports a super-
incumbent weight.

Jumper holes, 93; holes made to contain the gun-
powder required to blast, or rend asunder,
rocks.

Label moulding, 343; an outer moulding, crown-
ing a door or window head, always returned at
the ends.

Lancet windows, 293; windows formed with lan-
cet heads, see fig. 155.

Landstone dikes, 81; dikes or walls built of land-
stones without mortar.

Lean-to, 93; shed or small room with a slanting
roof projecting from the wall of the house to
which it is attached.

Lintels, 125; the side pieces of a window-frame
or doorway.

Lotus ornaments, 22; see fig. 7.
Louvre-boards, 230; or luffer-boards; inclined
narrow boards placed one above another in an
aperture, so as to admit the air, but exclude
the light.

Minutes, 154; subdivisions of Perrault's scale for
drawing the orders of Classical architecture.
Modillions, 109; a species of ornament, in Classic
architecture, resembling a bracket.
Modules, 153; equal parts into which a diameter
is divided, for the purpose of facilitating its
measurement or delineation.

Mullions, 125; upright pieces, dividing a window
into three or more parts.

Mutules, 109; the modillions in the Doric order
are called mutules.

Neck of a chimney, 64; part immediately under
the cap.

Newel, 194; the turning-post of a staircase.
Nulling, see p. 370.

Octostyle, 140; a building with eight columns in
front.

Ordonnance, 154; an order in Classic architecture.
Ovolo, 111; quarter-round moulding, see fig. 44.
p. 110.

Pace, 168; a square landing-place dividing the
stairs into flights, and used to form a turn with-
out winders.

Padma, 269; one of the Hindú mouldings.
Pagoda caps, 232; caps for ventilation, made
conical like the apex of a pagoda.
Palm-leaf ornaments, 22; see figs. 4, 5, and 6.
Panopticon, 208; all-seeing; a prison or work-
house so contrived as that the governor or in-
spector might, from a given situation, see into
every part of it.

Parquetted floors, 319; floors laid in small pieces,
so as to form patterns.

Patera, 68; an ornament something like a rose,
used to conceal small openings.

Pilaster, 115; a rectangular pillar engaged in
(attached to) a wall.

Pinnacle, 159; a pointed ornament terminating
a pediment.

Pinned, 169; let into a wall, by a hole being cut
into the wall for the purpose.

Pisé, 320; walls formed of mud or clay rammed
into moulds.

Place bricks, 35; soft half-burnt bricks.

Plate glass, 82; glass cast in a mould, instead of
being blown.

Pugged, 37; filled in, between the ceiling and the
floor above, with some substance to deaden
sound, as hair, mortar, &c.

Quartering, 306; quarters are formed of upright
pieces of timber, to which laths are nailed.
Formerly, a tree, after being felled, was first
sawn up into four equal parts: and hence the
origin of this term.

Riser, 58; the upright part which supports the flat
part, or tread, of every step in a flight of stairs.
Road metal, 91; broken stones and other mate.
rial used for making or mending roads.
Roofs of a low pitch, 100; roofs not much elevated
in the centre.

Row of blockings, 63; a row of projecting blocks
of stone, or of projecting bricks, sometimes
called a blocking course.

Rubblestone, 278; stone rough from the quarry.
Rusticwork, 120; stones made rough, on the
outer surface, by tools. There are several kinds
of rusticwork; the most common of which are

the lined, in which the hollow marks are in
straight; and the vermiculated, or wormed,
in which they are in curved or tortuous lines.
Sailing over, 82; projecting.

Saw draughts, 126; longitudinal slits made by
the saw in a thick board, but leaving the thin
boards thus formed attached at both ends.
Scotia, 111; a species of moulding, see fig. 48.
Scroll hinges, 344; T-hinges with their projecting
points terminating in scrolls, see fig. 169.
Sill, 125; the lower piece of a window-frame or
doorway.

Sink stone, 305; a stone perforated with holes.
Sleepers, 37; joists to support a boarded floor,
laid on the tops of dwarf walls.
Smithy, 144; a blacksmith's forge.
Snatch blocks, 198; blocks of pulleys with hooks
attached.

Soffits, 168; the ceiling or under side of any
member.

Spandrils, 131; the space between the springing
of an arch and the flat surface it is intended to
support.

Spiral stairs, 200; stairs winding round a newel
or a well hole.

Splayed, 343; beveled off.

Spongy bricks, 34; porous bricks, from not being
made of proper earth.

Spruce deals, 167; deals of the spruce fir, Abies
communis.

Stack of chimneys, 124; several smoke flues united
in one column, and generally carried up to some
height above the roof of the building to which
they belong.

Standards, 392; straight upright pieces of wood.
Stays, 172; supports, generally of timber.

Stink trap, 305; or Bell trap, a metal vessel for
permitting the escape of water into a drain or
sewer, without admitting the fetid air from the
drain. See Encyclopædia of Cottage Architec-
ture, figs. 222. to 224. § 237.
Straight-jointed floors, see 319.
Stretchers, 125; bricks placed so as to have their

length appear on the surface or outside of a wall.
Stocks, 36; sound, hard, well-burnt bricks.
Struts, 392; pieces of timber which resist crush-
ing or thrusting; as ties are such as resist
drawing or tension.

String-courses, 184; marked and projecting lines
of separation on the face of a building.
Stylobates, 27; pedestals, see fig. 11. ff.
Swing door, 136; a door hinged so as to open
either way.

Tazza, 302; cup.

Tie joists, 383; joists acting as strings or ties to
keep two masses together which have a tend-
ency to separate.

Torus, 111; a round moulding, larger and stronger
than the astragal.

Transepts, 293. When a church is built in the
form of a cross, the two shorter limbs are called
transepts.

Transom, 238; a cross beam forming the hori
zontal bar of a window in the Gothic or Eliza-
bethan styles.

Triglyphs, 109; certain distinctive marks in the
frieze of the Doric order, shown at d, in fig. 10,
p. 25., and formed by three glyphs, or grooves.
Truss, 177; to truss, in carpentry, is to form a
system of ties and struts for the support of a roof
or weight.

Vestibule, 119; an ante-hall, or inner porch.
Volutes, 263; scrolls.

Wall plate, 383; the plates on which the joists

rest.

Water table, 293; a species of ledge left upon stone
or brick walls, about 18 in. or 20 in., or more

from the ground, from which place the thick-
ness of the wall is diminished.
Weathered, 245; beveled off, to prevent the snow,
&c., from lodging.

White deals, 167; deals formed of pine wood,
generally of Pinus Stròbus, in which there is
little resin.

Winders, 168; angular steps, used where the stair
makes a turn without a landing.place.

Yellow deals, 167; deals of fir wood; properly
the wild pine, Pinus sylvéstris, which abound
in resin, and are, consequently, more durable
than white deals.

GENERAL INDEX.

A BATTOIRS
BATTOIRS at Islington, 90; in France, 242.
Aberdeenshire, cottages of, 94.

Amiens, a public library established in, 88.
Architect and Surveyor, strictures on the pro-
fessions of, 12.

Architects, emigration of, to North America,
remarks on, 90. 384-386.

Architectural Drawings and Lectures, by Mr.
Britton, notice of, 181; at Bristol, by Mr. Ross,
notice of, 210.

Architectural Exhibitions, 89.

Architectural Fountains, designs for, in artificial
stone, 295.

Architectural Improvement of London, remarks
on, 382.

Architectural Magazine, objects of, 1; critical
remarks on, 41. 212. 246.

Architectural Maxims, 80. 128. 201. 236. 266. 308.

351.

Camilla Cottage, query respecting, 48.
Cast-iron angles for outside doors, 233.
Cements, 280; in India, 315; new metallic, 46.
Cenotaph to the memory of Sir Walter Scott, 380.
Character in architecture, 324.
Chimney-pots, arch-headed openings in, critically
examined, 386; ornamental, 159. 216.
Chimney shafts, 144; ornamental, error in build-
ing of, 63.

Chimneys, smoky, plan for curing, 390.
Church at Hove, jobbing in building of, 211;
spire of one in Cheshire set straight, 209.
Churches, new, hints respecting, 378.
Civil engineering, proposed course of lectures on,
208.
Classic architecture, the elementary principles of,
108. 112. 153. 259.

Clerkenwell, a Gothic church at, 90.

Closets in sitting-rooms, remarks on forming, 548.
Cock for boilers, a new kind, 46; query respect-
ing, 240; criticism on, 390.

Architectural Societies, 89.
Architectural Students, 138.
Architecture, advantages of a taste for, 212; con-
sidered as an art of imagination, 145; Anglo-
Norman style of, 288; as a study for ladies,
246; classic elementary forms of, 16; character
in, 324; claim of, as a fine art, 223; common,
or imitative, genius, and inventive, or original,
genius in, compared, 185; the comparative value
of simplicity in, 103; garden, 120; Gothic, ele-
mentary principles of, 328; Grecian, anticipated
universality of, 275; on the means of forming a
correct taste in, 49. 52; a just taste in, 40; mo-
dern, the alleged degeneracy in, 148; of China,
315; of Egypt, 17; on character in, 324; on
heraldic ornaments in, 188; on those principles
of composition in, which are common to all the Danish academy, exhibition at, 243.
fine arts, 217. 249. 281. 321. 353; science and sub-Dining-room, position of, 95.
jects of, 1; taste for, 3; as a fine art, 5; Soane's
lectures on, 89; the best general work on, en-
quired for, 320; the causes of the different de-
grees of taste in, 97; a delicate taste in, 97;
the intensity of taste in, 98; a refined taste in,
98; a perfect taste in, 99; the circumstances
which prevent individuals attaining a taste in,
99; on the harmony of enrichment in, 255; on
uniformity in, 285.

Concrete, composition of, 248; foundations of,
216. 248; forming walls of, 320.
Constantinople, a large building erected at, 208.
Cooking by gas, 93, 94.
Corinthian capital, a remarkable one in the Vati.
can, 357.
Cottages, premium offered by the Highland So-
ciety for designs of, 93.
County hall, Inverness-shire, 352.
Curved roof, description of, 383.
Dairy, query on the best method of keeping cool,
392; dairy and poultry house, 143.
Damp foundations and damp walls, remedies for,

Armagh Cathedral, 278.

Artificial stone, Austin's, 216; Bagshaw's, 87;
Ranger's, 47. 392.

Ash pans and hearths, 96.;

Athens, proposed new metropolis at, 243. 375.
Austin's artificial stone, durability of, 159. 216.
Bath, an oval hip, 92.

Bellingham bridge, 352.

123. 233.

Doors to rooms, mode of hanging, criticised, 386.
Dover, improvements at, 209.
Dovetailed caps for wooden fences, 235.
Doweled floors, 319.
Drumlanrig, palace of, 94.
Dwelling-house, observations on the choice of,

34. 166.

Edinburgh, improvements in, 93. 317.
Edinburgh Society of Arts, 212.
Encyclopædia of Cottage Architecture, effects
produced by, 94.

Exeter new market, 352; Athenæum, 252.
Factories, a new mode of warming of, 88.
Fireproof floors, constructed of Caithness flag-
stones and cast iron, 71.

Fires in London, on the frequent cause of, 244.
Fishmongers' Hall, notice of, 90.

Berlin, general introduction of cast iron in the Fitzwilliam Museum, Cambridge, 378.

edifices of, 88; improvements in, 88.
Biography of architects, suggested, 95.
Birmingham grammar school, 92; new market,
92; town hall, 92; critiques on, 379.

Blank windows, maxim respecting, 236; critique
on, 387.

Blower, Clarke's improved, 87.

Boiler for steaming food for cattle, 48.

Freemasonry, 47.

Furniture, cleaning of, 86; French, inlaid, 244;
use of slate and cast iron in, 41.
Garden architecture, 120.

Garden engine with iron frame, 92.

Germany, architects of, 276; buildings in, 276.
Gin temples of the metropolis, remarks on, 164.
Grecian tiles, 144.

Bonnemain's apparatus for heating by hot water, Greek cross, explanation of, 95.

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